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Galeria
Aniela
the world’s local fine art e-gallery HOME |
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Founded in 1994, Galeria Aniela won the
trust
of most important Australian
artists
from the post WWII until today.
Selling
world-class ART
of impeccable
provenance,
shipping
worldwide,
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Aniela's
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Exhibition
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The Art of Giving
Quality Service
If you LOVE quality
Art of
impeccable
provenance,
the
art
you want is at
Galeria Aniela |
Lily Kelly Napangardi
B.1948 |
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Lily Kelly
Napangardi is
a distinguished
Australian
Aboriginal
artist.
In
the World,
Lily Kelly
Napangardi
work is recognised as some of
the most innovative
state-of-the-art
contemporary
abstract,
highly sought-after by
museums and collectors around the world, her
Sand Hills
painting
sold for $39,600.
Lilly Kelly
top-quality work has the sheer physical presence of the much contemporary
work of art with
the
illusion
of multi-dimensional
of space and depth. |
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Artist: Lily
Kelly Napangardi
Title:
77-1005
Sand-Hills
masterwork
ENLARGE
Medium: Synthetic polymer Paint Belgian
linen
Image Size: 160 cm x 100 cm
Price:
Enquire
Shipping worldwide
Related
works |
Artist:
Lily Kelly
Napangardi
Title:
99-313
Sand-Hills
ENLARGE
Medium: Synthetic polymer on Belgian Linen
Image size:
90 cm x 86 cm
Frame size: 130
cm x 126 cm
Price:
$4,500 Enquire
Shipping worldwide
Related works |
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Artist: Lily Kelly Napangardi
Title: Sand Hills
(Tali)
Mount Liebig
77-919
Medium: Synthetic polymer on
Belgian linen
Image Size: 160 cm x 125 cm
Price:
SOLD |
Artist:
Lily Kelly Napangardi
Title:
Sand Hills 77-214U
Medium: Synthetic polymer on
Belgian linen
Image Size: 150 x 55 cm
Price:
SOLD |
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Prices subject
to change without a prior notice |
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 Lily Kelly
Napangardi
BIOGRAPHY
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Lily Kelly Napangardi is a distinguished
Aboriginal
artist born
around 1948
n the
Haasts Bluff region of the
Northern Territory of
Australia.
Lily Kelly Napangardi top-quality ‘Sand Hills' paintings have
the sheer physical presence of the much contemporary work of
art.
The
finesse of Lily's style creates a wonderful lyricism in her
work and
the muted tones show a mysterious topography of the land and
rain.
Lily uses a technique of tiny
microcosmic dots
and dashes, intricate subtle details that move with the
viewer’s eyes.
Her 'Sand-hill' paintings are usually white dots on black
background, but some rarer examples of her work are
painted black dots on white background,
presenting an almost three-dimensional illusion of space and
depth.
 In earlier years, Napangardi lived with her
family at the settlement of
Papunya, later moved to Watiyawanu (Mount
Liebig - 325 km west of
Alice Springs) (with her husband
Norman Kelly, also an artist). Napangardi
is a respected senior law woman of her community of Watiyawanu, and the
custodian over the Women's
Dreamtime stories associated with
Kunajarrayi.
Lily Kelly Napangardi began painting in the early
1980s. She won the Northern Territory Art Award for Excellence in Aboriginal
Painting in 1986 and was a finalist in the Telstra National Aboriginal and
Torres Strait Islander Art Award (NATSIAA) in 2003. In January 2006, she was
named as one of Australia’s 50 most collectable artists by Australian Art
Collector magazine.
Napangardi's
paintings are of her country, especially of the sand hills (Tali) around
Mount Liebig. They are usually done in
white (sometimes, red or yellow) dots on black background, presenting an almost
three-dimensional illusion of space and depth. Some rarer examples of her work
are painted in two colours (mainly white and red) on black background. Today
Lily Kelly Napangardi's art is recognised as some of the most innovative in the
contemporary Aboriginal art scene. It is highly sought-after by museums and
private collectors worldwide.
AWARDS
1986
Telstra natsiaa Art Award
2003
Telstra
natsiaa Art Award
2006 Australia’s
top 50 most collectible artists
Collections
Musée du quai Branly,
Paris
The
Kelton Foundation,
Santa Monica (USA)
Gallery Anthony Curtis, Cambridge, MA (USA)
The Thomas Vroom Collection, Amsterdam (NL)
Groninger Museum,
The Netherlands
The
National Gallery of
Australia, Canberra
Art Gallery of New South
Wales, Sydney
Australian National Art
Gallery of Queensland,
Brisbane
Art Gallery of South
Australia, Adelaide
National Gallery of Victoria,
Melbourne
Museum and Art Gallery of
the Northern Territory, Darwin
The
Kerry Stokes
Collection
The
Holmes à Court
Collection, Perth
Artbank, Sydney
National Museum of
Australia,
Canberra
Art Gallery of Western Australia, Perth
Museum and Art Gallery of the Northern
Territory, Darwin
James Erskine
Collection
Mollie Gowing Acquisition Fund Contemporary
Aboriginal Art
Lily Kelly Napangardi
is one of the most important Australian artists.
In 1986 Lily won the Northern Territory Art Award for
Excellence in Aboriginal Painting, in 2003 was a finalist in
the Telstra National Aboriginal and Torres Strait Islander
Art Award and in 2006 was named one of the Australia’s top
50 most collectible artists.
Lily Kelly Napangardi work has the physical presence of the
much contemporary work of art.
The
finesse of Lily's style creates a wonderful lyricism in her
work,
the muted tones show a mysterious topography of the land and
rain.
Lily
uses a time consuming technique of tiny dots
and dashes,
and the intricate subtle details that move with the viewer’s
eyes and give the multi-dimensional appearance.
Born
circa 1948 in the Haast Bluff region of the
Northern Territory (325 kilometers north-west of Alice Springs) Lily Kelly Napangardi lived at the newly established settlement of Papunya for much of her early life, relocating to Mt Liebig with her
husband in the early 1980's.
Lily Kelly Napangardi is from
Mount Liebig, a senior law woman of the Watiyawanu community, Haasts Bluff.
Lily moved
to Papunya in the 1960's, and was later noted
for the assistance she gave to her husband, the
painter Norman Kelly. She began painting in the
1980's.
Lily Kelly
Napangardi
holds authority
over the "Women Dreaming " story associated with Kunajarrayi.
Throughout this time Lily assisted her
husband Norman Kelly with his paintings, becoming an artist in her own
right in 1986 when she began painting for Papunya Tula artists.
Lily
depicts stories from the Haasts Bluff and Kunajarrayi region, her
traditional country, for the Watyawanu Art Centre. Lily portrays commanding
innovative interpretations of her traditional country and holds
authority over the Women's Dreaming story associated with Kunajarrayi, and is
also teaching younger women traditional dancing and
singing. . Her most recent
works are skillful representations of sand hills in their various forms.
Lily's works are in high demand and are represented in major private
and public collections throughout the world.
Her subjects include her country's sand hills, its winds and the
desert environment after rain, especially the sandhills of the Kintore
and Connistan areas. Her paintings often note the seasonal changes in
this sandy landscape, and the crucial waterholes found in the rocks in
the area. In this mysterious and elemental landscape, the features, such
as rock holes and even mountain ranges, seem to appear and disappear
with the changing winds and blowing sands. Water marks this land, as the
run-off from the rains makes a pattern of lines and striations down the
surface of the sand hills. Napangardi notes the finest microcosmic
details but embeds these into a macrocosmic view of the landscape. The
ephemeral nature of this drifting, changing country is Lily Kelly
Napangardi's key subject, and the viewer, walking in front of her
painting, can sense something of the immersive experience of her
country.
Major
Exhibitions
1999
Desert Mob Show, Alice Springs
2000 Graham Marshall
Gallery, Adelaide
2001 Desert Mob Show, Alice Springs
2002 Desert Mob Show, Alice Springs
2002
Telstra
natsiaa Art Awards
exhibition
2003
Telstra
natsiaa Art Awards
exhibition
2003 Neil Murphy Indigenous
Art showing at Mary Place Gallery, Sydney
2003
Graham Marshall Gallery, Adelaide
2003 Telstra Awards; 2003 Neil Murphy Indigenous Art Span Galleries,
Melbourne
2003 Desert Mob Show, Alice Springs
2004 Neil Murphy Indigenous Art showing at Span
Galleries, Melbourne
2004 Mary Place Gallery, Sydney
2004 Graham Marshall Gallery, Adelaide
NOTES
Lily Kelly Napangardi
Sand-Hills paintings
Lily Kelly
Napangardi
paintings
(99-313,
77-919,
77-1005) are
high-quality
artworks that have
the physical presence of the much contemporary work of art.
Paintings are hypnotic, made of fine dots and dashes,
with the
fascinating
accuracy of
the intricate details and subtle shades that moves with the
viewer’s eyes and
floats in the air,
creating the multi
dimensional sensation.
The finesse and muted tones of Lily Kelly tiny microcosmic dots, and subtle
details, show a mysterious topography that moves with the viewer’s eyes.
Napangardi paints the seasonal changes
of the sandy landscapes. Her landscapes
are fascinating, seem to appear and disappear with the changing
winds and blowing sands and the run-off from the rains that
makes a pattern of lines and striations down the surface of the
sand hills.
Napangardi creates moving landscapes, the
ephemeral nature of this drifting and changing country. This is
Napangardi key subject, and the viewer, walking in front of her
painting, can sense something of the immersive experience of her
country.
Lily Kelly Napangardi
uses soft,
the most finest dot work and shades
of beautiful colour to create
her sand hills, its winds, the rainfall and the
desert environment after the rain in her natural world. Lily Kelly
Napangardi paintings are is in high demand and she is
represented in major public collections throughout the world.
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Auction Results
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Price excl. GST |
Details |
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$39,600 |
Sand-hills
2004,
Synthetic polymer paint on linen, bears artist's name,
catalogue number NJM04/0235, 176 x 120 cm, Est:
$12,000-16,000, Sotheby's Australia, Important Aboriginal Art,
Melbourne, Lot No. 167 |
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$24,000 |
Sand hills,
2005,
Synthetic polymer paint on linen, 184x175cm, Lawson~Menzies, Aboriginal Art, Sydney, Lot No. 42 |
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$22,705 |
Sand Hills,
Synthetic polymer paint on linen, Watiyawanu Artists cat. no. 99/222, 145 x 120 cm, Est:
$12,000-18,000, Christies, Australian Aboriginal Art, Melbourne,
30/08/2005, Lot No. 8 |
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$19,200 |
Sand hills
2005,
Synthetic polymer on Belgian linen, 210x149cm, Lawson~Menzies, Aboriginal Art, Sydney, Lot No. 153
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99-313
Scroll down for more detail
Artist:
Lily Kelly Napangardi
Title: Sand Hills
99-313
White
(Tali) around
Mount Liebig
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99-313 White Sand Hills is a first-rate
painting.
It
has the physical presence of the much contemporary work of art
presenting almost three-dimensional illusion of space.
and depth
Painted with small dots, subtle dashes and intricate details, the
painting 99-313 is
beautiful and rare as the artist
uses
black dots on white background.
Lily Kelly usually paints in white dots on black background (sometimes,
red or yellow dots). But some rarer examples of her work are painted
with black dots on white background as
99-313 White Sand Hills is.
Today Lily Kelly Napangardi art is recognised as some of the most
innovative
modern
abstract
in the
Contemporary World Art scene. It is highly sought-after by museums and
private collectors worldwide. |
Medium:
Synthetic polymer
paint on Belgian linen
Provenance:
Watiyawanu Artists of Amunturrngu Community
Image size: 90 cm x 86 cm
Framed
Size:130 x 126 cm
Price:
Enquire
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Shipping worldwide
- price may change without a prior notice
Related
works
After the Rain 99-313
FRAMED
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77-1005
Scroll down for more detail
Artist:
Lily Kelly
Napangardi B.1948
Title:
77-1005
Sand
Hills
masterwork -
Shipping
worldwide
|
In
the
art scene of the
World,
Lily Kelly
Napangardi
work is recognised as some of
the most innovative
state-of-the-art
contemporary
abstract.
Her work is highly
sought-after by museums and private collectors worldwide.
Sand Hills ( 77-1005)
is
Lily Kelly's
masterwork
that has the seer physical presence of the much Contemporary work of
art.
77-1005
Masterwork is
hypnotic as
images seem to move with the viewer’s eyes
giving an illusion of
the multi-dimensional
illusion of space and depth.
Painted with fascinating accuracy of microcosmic dots and
intricate details
it gives the impression of ‘Sand ripples under Sea Waves’
displaying the mysterious topography of Sand Hills
(Tali) around
Mount Liebig.
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Medium: Synthetic
polymer on Belgian linen -
stretched in the quality
timber
Dimension : 160
cm x 100 cm
Provenance:
Watiyawanu Artists of Amunturrngu Community
Price
Enquire
price may change without a prior notice -
Shipping worldwide
Related
works
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an opportunity to
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museum-quality original
art
of impeccable
provenance |
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Galeria Aniela
is
committed to
significant
dynamic artists such as
Charles Blackman,
Arthur Boyd,
Jamie Boyd,
John Perceval,
John Olsen,
Robin Holliday,
Brett Whiteley,
Garry Shead,
Mrs. Bennett,
Deborah Halpern,
Lily Kelly Napangardi,
Ningura Napurrula,
Gloria Petyarre,
Nancy Ross
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