If you LOVE quality
Art of
impeccable
provenance,
the
art
you want is at
Galeria Aniela
The Art of Giving
Quality Service
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Guy Martin
à Beckett BOYD
SCULPTURE
(1923-1988)
Guy Boyd 1923-1988
belongs to
the
Boyd family
that began
in 1886 with the marriage of
Emma Minnie Boyd
à Beckett
1858-1936
and
Arthur
Merric Boyd Senior
1862-1940.
VIDEO
Guy Boyd, Australian National News
ABC TV
VIDEO
Guy Boyd, Sunday Afternoon ABC TV
Father
William
Merric Boyd
(1888-1959)
Brothers
Arthur Boyd
and
David Boyd
Daughter
Lenore Boyd |
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Janusz Kuzbicki
B. 1958
an accomplished
artist
If you require an advice or consider purchasing or
commission a
work of art,
we respond quickly addressing your request,
helping you to save time and money.
Please feel free to contact
us to
discuss ways in which we can assist you -
Enquire
Commissions range
from small to monumental, architectural application for civil and ecclesiastical
purpose from bronzes to major
'Centenary
of Australian Federation stained glass window' for Windsor Castle, UK presented
to Her Majesty the Queen Elizabeth II.
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Lenore BOYD
SCULPTURE
Born 1954
Lenore
is a renown Australian artist
influenced by classical Master including
Auguste Rodin,
Aristide Maillol,
Michelangelo,
Antoine Bourdelle
and
Guy Boyd
(1923-1888).
Lenore
has deep understanding of the human
form and appreciation,
began sculpting at an early age,
studied sculptural technique in
studio of her father
Guy Boyd,
a famous
Australian
sculptor.
VIDEO:
Lenore Boyd Australian National News
ABC TV
VIDEO:
Lenore Boyd Sunday Afternoon ABC TV |
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Stephen
Glassborow
SCULPTURE
Stephen
Glassborow
is
one of the most successful
and most prominent Australian artists. Glassborow
specializes in bronze
Sculptures,
exhibiting widely around the
world.
COLLECTION:
Australia, Singapore,
Hong Kong, Kuala Lumpur, Korea, China, America and Europe.
If you require an advice or consider purchasing or
commission a
work of art,
we respond quickly addressing your request,
helping you to save time and money.
Please feel free to contact
us to
discuss ways in which we can assist you -
Enquire
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Deborah
Halpern
SCULPTURE Born 1957
Deborah Halpern is one of Australia's most celebrated sculptors.
Creator of
many Melbourne’s most loved
mosaic
public
sculptures
inspired by the free spirit of
Gaudi and
Picasso.
Halpern's
Angel
was
commissioned by the
National Gallery
of Victoria
and
Ophelia
is the official face of
Melbourne.
Halpern works exude vitality and simplicity.
Spontaneous in form,
Halpern
sculptures recalls visions
of playful surrealism of French sculptor Niki de Saint Phalle, yet all
are distinctly Halpern
with ability to delight and surprise. |
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Robin Holliday
SCULPTURE
(1932-2014)
Robin
Holliday
is an
important Australian sculptor with a distinguished career in
molecular
biology.
He
proposed a
mechanism of DNA-strand exchange that attempted to explain
gene-conversion events that occur during meiosis in fungi.
Robin
Holliday
model first proposed in 1964 is now known as the
Holliday
Junction. |
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Danielle
Legge SCULPTURE
Born 1953
AWARDS:
(1998) the Stanthorpe Arts Festival
SCULPTURE competition Award
COLLECTION:
Australia, America, Mexico, England,
Ireland, France, Portugal, Spain,
Hong Kong, Singapore, Japan
and Tasmania. |
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Dino Rogliani
SCULPTURE
(1932
- 2017)
AWARDS:
2008
Winner Exibition Campbeltown Art NSW;
2005 Award of the Artist on Norton
Sydney; 2002 Winner Artist on Norton Sydney; 2002 Winner
SCULPTURE Prize Holroyd City; 2002 Winner Local section Fisher`s
Ghost;
2000
Winner at
Campbelltown Art Gallery;
2000
Encouragement
Award Fisher`s Ghos |
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Peter Smith
SCULPTURE (1938-2005)
AWARDS:
President position of Boort Fiesta from
its Conception, an annual festival devoted to arts: painting,
SCULPTURE, photography, film, music, food and wine.
Peter Smith passion for bronze
SCULPTURE portray women in sensual aspects. |
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Bronze facsimile
Global artists
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Isidore-Jules
Bonheur
(1827-1901)
Title: Jockey à Cheval
Medium:
Bronze facsimile
Signed in Plate
Size: 55 cm x 56
cm
Price:
$2,950 Enquire
price subject to change without a prior notice
shipping
worldwide
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Antonio de Francisci
(1887-1964)
Title: Girl with Golden Hair
Medium:
Bronze facsimile
Signed in Plate
Size: life size (approx.
165cm)
Price:
$30,000
Enquire
price subject to change without a prior notice
shipping worldwide
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Auguste
Rodin
(1840-1917)
Title:
Girl
Medium:
Bronze facsimile
on
Granite
Signed in Plate
Size:
32 cm x 32
cm
Price:
$2,200
Enquire
price may change without a prior notice
shipping
worldwide |
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About
Bronze
Facsimile
BRONZE Facsimiles
are expensive to cast, they should be
enjoyed as beautiful objects giving JOY yet can be purchased for
a fraction of
the original
historical
limited edition Bronzes
prices.
BRONZE Facsimiles
are made
to
slightly differ from the
original,
historical limited edition bronzes.
What is
Facsimile?
Facsimile from
Latin
fac simile (make alike) is a reproduction of a unique item.
A
Facsimile
is a
reproduction of
an item of historical value, it
can be
a
bronze
or other
item like a
art print,
book,
manuscript
or
map.
Cost of producing Bronze
Facsimiles
When Facsimiles
are
produced?
Facsimiles are produced
after a
famous
artist passed away.
Signature in Plate
Why
Facsimiles are produced?
-
Facsimiles are produced to
generate
income
to
supplement
the
cash flow
of
the artists' Museum or Trusts
and to continue promoting the artist.
-
Facsimiles are also produced for
educational purposes by scholars to research and by museums
and archives for
media preservation
and
conservation.
-
Most Facsimiles are sold
commercially and occasionally may be produced in
limited editions,
sometimes accompanied by a
commentary,
typically 2,000 copies
but for some artists like Dali it would be even much higher
number.
When limited editions are
done?
Limited editions are
produced by the artist,
intentionally
made to differ from the original.
A limited
edition is hand signed and numbered by the artist.
Making a
Bronze Casting
Bronzes are produces by
casting using the "lost-wax" process.
The
earliest “lost-wax” castings date almost 7,000 years.
-
A
wax
mold
must be made
from
the
"original form" that often is made in clay or plaster.
Surface
replication of the "original form" can be achieved with a
polyurethane mold compound or a high-quality silicon rubber.
-
The
rubber mixture is applied (several coats) directly to the
surface of the "original form".
A mold most generally consists of three to five coats of
rubber (applied over the course of several days).
-
Once
the final coat of rubber has dried, a firm outer "jacket" is
made to retain the shape of the flexible rubber mold for
pouring the wax replica. This “jacket” is usually made out
of plaster, Hydrocal, resin, or epoxy, and is called the
“mother mold”.
-
Then the "jacket" is removed, and the rubber is cut away
from the “original form”, what is called a parting line
(simply the division line for the mold). The SCULPTURE has
now gone from a positive form to a negative form.
-
If the SCULPTURE is large or complex, it will be divided
into smaller pieces, and each piece will require an
individual mold. The pieces will be rejoined later, after
the SCULPTURE is cast in bronze, to make the complete
SCULPTURE whole again.
-
With the “mother mold” complete, positive forms can now be
generated by pouring a wax replica. Pouring a wax is usually
done in four stages or coats. The first coat is applied by
heating the wax to a temperature of approximately 220
degrees Fahrenheit. While the wax is quite hot, the mold is
rotated about, in an attempt to coat the entire internal
surface of the mold with the melted liquid wax, which is
poured into the “mother mold” through a hole. The second
coat of wax is applied slightly cooler, at around 200
degrees. The final two coats go on at approximately 180 to
185 degrees. A completed wax is approximately 1/4” thick, or
just slightly thinner. When the wax cools and the mold is
removed, a wax positive of the SCULPTURE emerges. Follow by
procedure of repairing all of the imperfections that were
created during the pouring process of the wax to maintain
the original details within the mold.
-
The finished wax is a positive replica of the "original
form". The ceramic shell process requires a series of
dipping the wax positive into a mixture called slurry to
create a hard shell. When the ceramic shell is complete, it
is placed in a high pressure sealed oven, known as an
autoclave. High temperatures (1500 to 1800 degrees
Fahrenheit) and pressure force the wax from the shell and
the wax melts out, thus becoming "lost". This is where the
name “Lost-Wax Process” has been derived.
-
When the ceramic shell is empty of wax, it is then re-fired
and made ready to have the molten bronze poured into it.
-
Solid blocks of bronze, meanwhile, are heated to a
temperature of approximately 2250 degrees Fahrenheit so that
liquid bronze is created. The liquid bronze is stirred and
prepared for the pour.
Bronze
is an alloy of 95% copper, 4% silicon and 1% manganese with
traces of other elements such as iron. -
When the molten bronze is ready, the foundry workers very
carefully lift the crucible, containing the liquid bronze,
out of its heating furnace. The workers must wear protective
face shields, clothing, gloves, and boots.
-
Moving quickly and precisely, the foundry workers pour the
liquid bronze into each awaiting ceramic shell. When the
ceramic shells are full with the poured bronze, they are
then left to cool for several hours. The negative spaces
within the ceramic shells have now become positive bronze
castings.
-
Once the bronze and ceramic shell has cooled, the ceramic
shell is broken off to separate the metal bronze from the
shell. This is done with hammers, tools, power tools, and
sand blasters.
-
Then the process of finishing begins making the
metal back to the appearance of the original. This process
usually involves a fair amount of welding with a high
frequency welder.
-
When the final piece is all welded together and chased to
perfection, the bronze is next sand-blasted (or
bead-blasted) to make it very smooth and shiny. Using a
sand-blast cabinet is the most convenient way to sand-blast
a SCULPTURE.
-
After the SCULPTURE is sand-blasted, the Patinazation is the
next stage.
The "patina" is the color of the bronze.
The 'patina'
colorization of a SCULPTURE: The patina “colorization” is
made in the foundry by applying chemicals.
"Patinazation" the process of chemical reaction between
bronze, acidic chemicals, and high temperatures oxidize the
surface of the metals. Certain chemicals will produce
certain predictable colors when they are sprayed on the
bronze and then heated up.
-
The patina process begins by heating the surface of the
bronze to a temperature of approximately 450 to 475 degrees
Fahrenheit. The surface will have a nice golden appearance
when it is ready. A wide variety of techniques can then be
used for chemical application, the most common being done
with natural bristle brushes. Chemicals can also be applied
with spatter guns, spray bottles, and airbrushes.
-
The outdoor atmosphere is more corrosive to a patina as it
carries a higher content of manmade pollutants, and metal
protectant is recommended for any SCULPTUREs placed
outdoors.
After the completion of all of the above steps, a unique bronze
SCULPTURE will have been produced and can now be sold.
Find more about bronze
SCULPTURE
here
Bronze was discovered in the
Bronze Age (thousands of years ago). In the art world, bronze is
known as a metal alloy used in statues. It implies prestige, and
timelessness that is not found in other metals. The process of
making bronze combines copper and tin is undertaken in a foundry
where the two alloys are combined under great heat. Molten
bronze can then be poured into a mould and shaped to any design.
Once the mould is broken and the bronze allowed cooling, a
perfect facsimile of the object is left behind. Additional
polishing or burnishing to remove any imperfections is
undertaken and the piece is then ready for display. The demand
for bronze has made it a rather expensive material especially
given its weight. Anyone who has ever picked up even a small
statue made from bronze has marveled at how heavy it is. As
such, shipping, handling and installation of bronze statues and
plaques must be undertaken with great care often accompanied by
great expense. |
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Galeria Aniela specializes in selling museum-quality
ART if impeccable
provenance
Founded in 1994, Galeria Aniela FINE ART exhibited
and hosted world-class
artists
as well as receiving famous
celebrities including Sir
David Attenborough,
the Prime Minister of Australia
Bob
Hawke
and
Cameron O’Reilly.
Galeria Aniela has
built a strong
standing
in Australia and
Internationally.
Beginning in Kangaroo Valley,
Galeria Aniela
relocated
to Bowral
continues to support Australian
artists.
When you purchase a work of art from
Galeria Aniela, we immediately pay the
artist,
helping artists make a living with their creations.

Galeria
Aniela FINE ART Bowral NSW | watch video
The
BOYD
family
show
in
Galeria Aniela
coup the
front page
Sydney Morning Herald,
Australian National NEWS, ABC TV
and
Sunday Afternoon, ABC TV.
Galeria Aniela's
John
Perceval Retrospective
exhibition
won
Australian National NEWS, ABC TV
and
Charles Blackman Retrospective
attain the
Art-Scream.

Jamie
BOYD ARTS Trail Exhibition | Galeria Aniela FINE ART
Bowral NSW |watch video
Combining connoisseurship in art
with
the knowledge of Art and a wide
network of resources,
Galeria Aniela sells quality
works of art of
impeccable
provenance.
Whether you are a first time buyer,
an astute investor or enthusiastic collector, our
people focused approach ensures an enjoyable and
rewarding experience.
If you require an advice or consider
buying ART, we respond quickly,
addressing your concerns based on your request,
helping you to save time and money.
We welcome the opportunity to speak
with you,
warmly invite you to
contact us
to discuss ways in which Galeria Aniela may assist
you now and in the future.
Contact us
Testimonials
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Appointments
welcome
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