Ronnie Tjampitjinpa, Galeria Aniela Fine Art

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Ronnie Tjampitjinpa 1943-2023

Ancient culture of 60 thousand years gave the World its most exciting Contemporary Art

If You Love Fine Art Of Impeccable Provenance, The Art You Want Is At Galeria Aniela

Ronnie Tjampitjinpa is Australia’s important Aboriginal artist. His work first appeared in Papunya Tula exhibitions during the 1970s. In 1988 Tjampitjinpa won the Alice Springs Art Prize, followed by major solo exhibitions at Gallery Gabrielle Pizzi in 1989 and 1990.

Tjampitjinpa work is held in museums and major collections around the world including Paris Musée National des Arts d'Afrique et d'Océanie, Art Gallery of NSW, National Gallery of Australia, National Gallery of Victoria, Art Gallery of South Australia, Art Gallery of Western Australia, Museum Art Gallery of the Northern Territory, Queensland Art Gallery, National Museum of Australia, Artbank, Lowe Art Museum USA, University of Miami and Araluen Arts Centre.

Tjampitjinpa’s work can become a valuable investment, is highly valued in the World Art market: Kampurarrpa sold for $90,556, Lake Mackay $151,280, Ngarru $213,054, Tingari $353,169.

AUCTION Results	AWARDS	Biography	COLLECTIONS

Artist: Ronnie Tjampitjinpa

Title: Tingari Creation Cycle (2002) masterwork

Medium: Synthetic polymer paint on Belgian linen

Image Size: 115 cm x 72 cm

Framed Size: 155 cm x 133 cm

Price: Email-enquiry NO attachments please

Auction Results

Ronnie Tjampitjinpa

Under the freedom of information and extensive research, we compiled the relevant facts

Details		Price excl. GST
	*Tingari Ceremonies at the Site of Pintjun* Synthetic polymer paint on linen, bears artist’s name and Papunya Tula Artists. catalogue no. RT890931 on the reverse, 152 x 180 cm, Est: USD120,000-180,000, Sotheby's, Aboriginal Art, New York, 13/12/2019, Lot No. 13	US$243,750 (A$353,169)
	*Ngarru, 2008* Synthetic polymer paint on linen, bears Papunya Tula Artists catalogue number RT0802152 on the verso, 183 x 244 cm, Est: USD120,000-180,000, Sotheby's, Aboriginal Art, New York, 25/05/2022, Lot No. 89	US$151,200 (A$213,054)
	*Wilkinkarra (Lake Mackay), 1993* Synthetic polymer paint on linen, bears inscription verso: artist's name, size and Papunya Tula Artists cat. RT930734, 182 x 153 cm, Est: $40,000-60,000, Deutscher and Hackett, Important Australian & International Fine Art; Important Indigenous Art, Melbourne, 29/11/2017, Lot No.	A$151,280
	*Designs Relating to the Site of Kampurarrpa* Synthetic polymer paint on linen, bears artist's name and Papunya Tula Artists catalogue number RT 9909242 on reverse, 183 x 152 cm, Est: USD50,000-80,000, Sotheby's, Aboriginal Art, New York, 13/12/2019, Lot No. 21	US$62,500 (A$90,556)
	*Two Boys at Wilkinkarra (Lake Mackay) 1992* Synthetic polymer paint on linen, bears artist's name and Papunya Tula artists catalogue number RT920828 on the reverse, 152 x 122 cm, Est: $30,000-50,000, Sotheby's, Important Aboriginal Art, Melbourne, 24/06/2002, Lot No. 40	A$79,812
	*Kumpuralgna, 1996* Synthetic polymer paint on linen, inscribed verso: 'Kumpuralagna'/ Ronnies Fathers Place [sic]/ 'Kakada' East Of Kintore/ Wirly Wirly Place Body Design/ For One Old Man He's [Sic]/ Gone To Western Australia, 187 x 360 cm, Est: $50,000-70,000, Menzies, Important Australian and International Fine Art and Sculpture, Sydney, 10/12/2015, Lot No. 53	A$79,773
	*Wilkinkarra (Lake Mackay) 1993* Synthetic polymer paint on linen, bears signed artist's name and Papunya Tula catalogue number RT 930734 on the reverse, 183 x 153 cm, Est: $25,000-35,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000, Lot No. 119	A$63,000
	*Tingari Cycle, 1997* Synthetic polymer paint on canvas, dated and inscribed verso: FW6038/ KA707/97, 212 x 374 cm, Est: $50,000-70,000, Menzies, Important Australian and International Fine Art and Sculpture, Sydney, 10/12/2015, Lot No. 52	A$61,364
	*Palkarulkulnga, 2002* Synthetic polymer paint on linen, bears inscription verso: artist's name, size, and Papunya Tula Artists cat. RT0204077, 122 x 152.5 cm, Est: $55,000-75,000, Deutscher and Hackett, Important Australian Aboriginal Art, Melbourne, 18/03/2020, Lot No. 17	A$58,560
	*Kumpuralgna, 1996* Synthetic polymer paint on linen, 364 x 186 cm, Est: $50,000-70,000, Lawson~Menzies (now trading as Menzies), Aboriginal Art, Sydney, 22/11/2006, Lot No.	A$54,000
	*Tingari at Watanuma, 2006* Synthetic polymer paint on linen, bears inscription verso: artist’s name, size and Papunya Tula Artists cat. RT0612147, 242.5 x 181 cm, Est: $50,000-70,000, Deutscher and Hackett, Aboriginal Art from the Luczo Family Collection, USA, Melbourne, 19/10/2016, Lot No. 32	A$51,240
	*Wild Potato Dreaming at Muyinga, West of Kintore* Synthetic polymer paint on linen, bears artist's name, size and Papunya Tula Artists catalogue number RT900938 on the reverse, 151.5 x 182 cm, Est: $40,000-60,000, Sotheby's, Aboriginal Art, Melbourne, 26/07/2010, Lot No. 52	A$48,000
	*Untitled 1998* Synthetic polymer paint on linen, bears artists name size and Papunya Tula catalogue number RT9805110 on the reverse, 183 x 153 cm, Est: $40,000-60,000, Sotheby's, Aboriginal Art, Sydney, 29/07/2003, Lot No. 112	A$47,500
	*Two Boys at Wilkinkarra (Lake Mackay), 1992* Synthetic polymer paint on linen, inscribed verso, artist’s name, size and Papunya Tula Artists cat. RT920828, 152 x 121.5 cm, Est: $40,000-60,000, Deutscher and Hackett, Important Aboriginal + Oceanic Art, Melbourne, 18/05/2011, Lot No. 18	A$43,200
	*Moon Dreaming at Maanytja, 1996* Acrylic on linen, 121 x 121 cm, Est: USD20,000-30,000, Sotheby's, Aboriginal Art, New York, 25/05/2022, Lot No. 57	A$39,060 (US$27,720)
	*Kumpuralgna, 1996* Synthetic polymer paint on Belgian linen, inscribed verso: 'KUMPURALAGNA'. Ronnies Fathers Place. KAKADA East of Kintor. Wirly Wirley Place Body Design. For one old man he's gone to Western Australia, 187 x 360 cm, Est: $25,000-35,000, Cooee Art Leven, The Rod Menzies Estate \| Indigenous and Oceanic Art Collection \| Part I, Sydney, 08/11/2023, Lot No. 45	A$38,045
	*Kaakuratintja (Lake Macdonald) 1996* Synthetic polymer paint on linen, bears Papunya Tula artist's catalogue number rt960429 on the reverse, 153 x 122 cm, Est: $30,000-40,000, Joel Fine Art, Important Aboriginal Art, Melbourne, 05/06/2007, Lot No. 68	A$37,140
	*Tingari Ceremonies at the Waterhole Site of Pinari, 1997* Synthetic polymer paint on linen, inscribed verso, artist's name, size and Papunya Tula Artists cat. RT970178, 183 x 152 cm, Est: $20,000-25,000, Deutscher and Hackett, Important Aboriginal and Oceanic Art, Melbourne, 24/03/2010, Lot No. 96	A$36,000
	*Ceremonial Dreaming (1972)* Natural earth pigments and bondcrete on composition board, 50.6 x 30.6 cm, Est: $30,000-40,000, Sotheby's, The Anthony & Beverly Knight Collection of Early Papunya Art (Lots 1 – 46); Important Aboriginal & Oceanic Art (Lots 47, Melbourne, 28/05/2013, Lot No. 14	A$31,720
	*The Kadaitcha Man (Law Enforcer) 1993* Synthetic polymer paint on linen, bears Papunya Tula Artists catalogue number RT930437 on the reverse, 121 x 61 cm, Est: $20,000-30,000, Sotheby's, Aboriginal Art, Melbourne, 31/07/2006, Lot No.	A$31,200
	*Untitled 1972* Natural earth pigments and synthetic polymer powder paint on composition board, bears signed Stuart Art Centre catalogue number 11013 on the reverse, 45.5 x 32 cm, Est: $30,000-50,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000, Lot No. 173	A$27,600
	*Untitled 1972* Synthetic polymer/powder paint on composition board, bears Stuart Art Centre catalogue number 11014 on the reverse, 64 x 18 cm, Est: $8,000-12,000, Sotheby's, Fine Aboriginl and Contemporary Art, Melbourne, 17/06/1996, Lot No. 199	A$25,300

	*The Kadaitcha Man, 1993* Synthetic polymer paint on linen, bears inscription verso: Papunya Tula Artists cat. RT930437, 121 x 61 cm, Est: $12,000-15,000, Deutscher and Hackett, Aboriginal Art from the Luczo Family Collection, USA, Melbourne, 19/10/2016, Lot No. 31	A$21,960
	*Wallaby and Bushfire Dreamings, 1999* Synthetic polymer paint on linen, bears Papunya Tula Artists catalogue number RT990763 on the reverse, 91 x 91 cm, Est: USD10,000-15,000, Sotheby's, Aboriginal Art, New York, 23/05/2023, Lot No. 40	US$12,700 (A$19,105)

Ronnie Tjampitjinpa Biography:

Ronnie Tjampitjinpa is one of Australia’s most important Aboriginal artists amongst the first wave of artists effectively linking ancient stories with modern mediums. Ronnie Tjampitjinpa has been a committed artist since his earliest involvement with the Central Desert art movement and has is as one of the major painters.

Ronnie Tjampitjinpa work is represented by major collections throughout the world, his paintings are in very high demand sought after by Australian and international art collectors as well as Auction Houses.

Ronnie Tjampitjinpa has exhibited extensively throughout the world and his work is included n all major aboriginal art collections.

Ronnie Tjampitjinpa (Pintupi born c.1943)

Biography Australian Aboriginal Artists dictionary of biographies p. 366.

Australian National Gallery of Victoria Ronnie Tjampitjinpa-Artists-Tjukurrtjanu

Ronnie Tjampitjinpa's works first appeared in Papunya Tula exhibitions during the 1970s, and later in commercial art galleries in Sydney and Melbourne throughout the 1980s. He won the Alice Springs Art Prize in 1988 and this was followed by successive major solo exhibitions at Gallery Gabrielle Pizzi in 1989 and 1990.

Ronnie linear works which first appeared in the mid-1990s, with their traditional content, the overall shimmer he effects with seemingly minimal application radiates the artist's authority and self-assuredness.

Most Ronnie Tjampitinpa paintings represents a site on the Tingari creation songlike. Since events associated with the Tingari cycle are of a secret nature no further details are given.

Ronnie Tjampitjinpa has been painting in Papunya Tula during the 1970s, then in commercial art galleries in Sydney and Melbourne throughout the 1980s with many successful exhibitions at Gallery Gabrielle Pizzi from 1987 to 1990 and around the world.

Ronnie Tjampitjinpa born (around 1943) near the site of Muyinnga and was initiated at Yumari, near his birthplace, about 100 km west of the Kintore Ranges in Western Australia (and approximately 500 km west of Alice Springs). Ronnie Tjampitjinpa was initiated into Aboriginal Law at Yumari, near his birthplace.

Ronnie Tjampitjinpa family traveled extensively across Pintupi territory, moving through this region and also around Wilkinkarra (Lake Mackay) which straddles the Western Australia - Northern Territory border.

Ronnie and his younger brother Smithy Zimran came in from the bush at Yuendumu and later joined their relatives in Papunya, where he worked for a while as a labourer.

Ronnie Tjampitjinpa was one of the Pintupi men who gathered on the verandah of Geoffrey Bardon's flat before joining others in the Men's Painting Room and producing works that sometimes disclose aspects of men's ritual.

Ronnie Tjampitjinpa works follow the Pintupi style, which depicts dreamtime and the landscape by joining together strong circles with connecting lines.

Ronnie has exhibited extensively throughout the world and is included in all major Australian and international art collections. Ronnie exhibited extensively throughout the world and is included in all major Australian and international art collection.

In 1983, following the establishment of Walungurru in 1981, Ronnie returned to his ancestral lands. Over the next decade he emerged as one of Papunya Tula's major artists, pioneering the scaled-up, bold linear style characteristic of Pintupi work of the 1990s. In 1988 he won the Alice Prize and the following year his first solo exhibition was held at Gallery Gabrielle Pizzi, Melbourne. In 1993 the artist made a significant contribution to Perspecta at the Art Gallery of New South Wales.

There is a mysterious, entrancing nature to Ronnie Tjampitjinpa paintings, where time and place are melded in the eternal stories of his Dreaming.

Ronnie Tjampitjinpa remains an important influence on a new generation of painters.

AWARDS

1988 - Ronnie Tjampitjinpa won the Alice Springs Art Prize and had his first solo exhibition in Melbourne in 1989.

Ronnie Tjampitjinpa work follow the Pintupi style, which depicts dreamtime and the landscape by joining together strong circles with connecting lines.

COLLECTIONS

Ronnie Tjampitjinpa's work is held in many public collections including

Australian National Gallery of Victoria

National Gallery of Australia, Canberra

Musée national des Arts d'Afrique et d'Océanie Paris musée

Art Gallery of New South Wales

Art Gallery of South Australia

Art Gallery of Western Australia

Homes a Court collection

Museum and Art Gallery of the Northern Territory

Queensland Art Gallery

National Museum of Australia

Art Bank Sydney

National Gallery of Victoria

Campbelltown Arts Centre - Campbelltown City Council

Donald Kahn Collection

Lowe Art Museum USA

University of Miami

Araluen Arts Centre - Northern Territory

The Supreme Court of the Northern Territory

Michael Hollow and countless private and corporate collections around the world

Ronnie Tjampitjinpa was born around 1943 at Tjiturrunya in the region near Munyinnga about 100km west of the Kintore Ranges in Western Australia. Ronnie Tjampitjinpa’s family travelled extensively across Pintupi territory, moving throughout this region and also in the area around Wilkinkarra (Lake Mackay) which straddles the Western Australia – Northern Territory border. Ronnie Tjampitjinpa was initiated into Aboriginal Law at Yumari, near his birthplace.
After prolonged droughts in the 1950s, Ronnie moved with his family, first to Haasts Bluff, then to Papunya. Over the years, moving between Aboriginal communities station, Ronnie Tjampitjinpa talked to many people about returning to traditional lands, a move which was made possible with the establishment of Kintore (Walungurru) in 1981. Ronnie moved there with his family in the early 1980s and has since emerged as one of Papunya Tula Artists’ major painters. Today, Ronnie remains an important influence on a new generation of painters.

Ronnie Tjampijinpa’s art is a fine representation of the characteristic Pintupi sytle: a repetition of forms, which are geometric, simple and bold, and pigments which are often restricted to the four basic colours of black, red, yellow and white, although Ronnie also experiments with other colours.

The primary imagery in Ronnie Tjampitjinpa’s work are based on the Tingari Cycle which is a secret song cycle sacred to initiated Pintupi men. The Tingari are Ancestral Beings who, in the Creation Era, travelled across the landscape performing ceremonies to create and shape the country. Ronnie Tjampitjinpa’s art consistently reflects his direct ties with his culture and he can be considered amongst the first wave of artists effectively linking these ancient stories with modern mediums.

Ronnie Tjampitjinpa’s works first appeared in Papunya Tula exhibitions during the 1970s, then in commercial art galleries in Sydney and Melbourne throughout the 1980s.

Selected Exhibitions

1983 Mori Gallery, Sydney NSW
1986 Roar Studios, Melbourne VIC
1987 Gallery Gabrielle Pizzi, Melbourne VIC
1998 Gallery Gabrielle Pizzi, Melbourne VIC
1990 Gallery Gabrielle Pizzi, Melbourne VIC
1990 Paintings from the Desert, Plimsoll Gallery, Hobart TAS
1990 The 7^th National Aboriginal Art Award Exhibition,, Museum & Art Gallery of the Northern Territory, Darwin
1990 National Gallery of Modern Art, Rome Italy
1991 The 8^th National Aboriginal Art Award Exhibition,, Museum & Art Gallery of the Northern Territory, Darwin
1991 Flash Pictures, National Gallery of Australia, Canberra ACT
1991 Australian Aboriginal Art from the Collection of Donald Kahn, Lowe Art Museum, University of Miami USA
1991 Aboriginal Paintings from the Desert, Union of Soviet Artists Gallery, Moscow Russia
1991 Aboriginal Paintings from the Desert, Museum of Ethnographic Art, St Petersburg, Russia
1992 Central Australian Aboriginal Art and Craft Exhibition, Alice Springs NT
1992 The 9^th National Aboriginal Art Award Exhibition,, Museum & Art Gallery of the Northern Territory, Darwin
1993 Aboriginal Art Exhibition, Kung Gubunga, Oasis Gallery, Broadbeach QLD
1993 Tjukurrpa, Desert Dreamings, Aboriginal Art from Central Australia
1993 (1971-1993) Art Gallery of Western Australia, Perth WA
1993 Central Australian Aboriginal Art and Craft Exhibition, Alice Springs NT
1994 Dreamings Tjukurrpa: Aboriginal Art of the Western Desert
1994 The Donald Kahn collection, Museum Villa Stuck, Munich
1994 Central Australian Aboriginal Art and Craft Exhibition, Alice Springs NT
1994 The 11^th National Aboriginal Art Award Exhibition,, Museum & Art Gallery of the Northern Territory, Darwin
1994 Australian heritage Commission National & Torres Strait Islander Art Award, Old Parliament House, Canberra
1994 Power of the Land, Masterpieces of Aboriginal Art, National Gallery of Victoria, Melbourne VIC
1994 Yiribana, Art Gallery of NSW, Sydney NSW
2001 Sand, Spinifex and Salt, Japingka Gallery, Fremantle WA
2004 Travels of the Tingari – New Pintupi Works of the Western Desert, Japingka Gallery, Fremantle WA
2011 In Black and White, Japingka Gallery, Fremantle WA
2013 Landmarks and Law Grounds: Men’s Painting, Japingka Gallery, Fremantle WA

Tingari Cycle Stories which include songs and sacred to initiated men, are the subject of many of Ronnie's paintings.

The Tingari are a group of ancestral spirit or Dreamtime beings who brought law and culture to the people of the Western Desert, travelling over vast distances. In the course of their many adventures and misadventures, they performed ceremonies to create or even become the physical features of the sites they visited, such as rocky outcrops, waterholes, trees, salt lakes, and ochre deposits.

Ronnie Tjampitjinpa's work is highly characteristic of Pintupi art, using simple, bold, geometric designs, often made up of maze-like circles or a central bull's-eye connected by strong lines. There is a mysterious, entrancing nature to these paintings, where time and place are melded in the eternal stories of Ronnie's Dreaming. Their complexity may not always be clear to the outsider, but they reward further study.

Ronnie is considered one of the first major artists to have linked the painting of these 'song-lines' or 'travelling Dreamings' with the use of modern materials.

Ronnie's work has been shown in international exhibitions many times and he is represented in major private collections such as the Donald Khan Collection and the Kelton Foundation in the United States of America.

Ronnie Tjampitjinpa prospered as an artist during the late 1980’s winning the Alice Springs Art Prize in 1988. The following year Ronnie Tjampitjinpa travelled to Melbourne for his first one-man show at the Gallery Gabrielle Pizzi. Subsequently he was included in ‘Australian Perspecta 1993’ at the Art Gallery of NSW. From 1993 Ronnie was Chairman of the Kintore Outstation Council, residing at his outstation at Redbank (Ininti). His work was displayed prominently in Sydney at the Jinta Gallery in 1998 in their ‘Pintupi Men’ exhibition.

These successes have established him as one of the masters of desert art. Ronnie Tjampitjinpa was there at the beginning and will continue to work strongly into the next century.

Ronnie Tjampitjinpa is the personification of a linkage to the traditional ways and beliefs that certainly will be modified by the current generation of painters. Whilst his works may be regarded as ‘contemporary art’ in the great galleries of the world we should remember that his beliefs and background exemplify the ancient nature of his people. His is one of the last of the genuine desert nomads.

Consequently his art takes on a meaning and importance well beyond the expectations aroused when we are confronted with visual art of our own Euro-centric culture.

It was March 1972 that Bardon became aware of Ronnie's presence amongst the artists who were working in the Great Painting room. Under the tutelage of Uta Uta, his father's younger brother, Ronnie tentatively began experimenting with a raft of new materials. Driven by a desire to express his knowledge and experience of ritual amongst his cultural peers, Ronnie's first paintings are replete with overt depictions of finely decorated ceremonial objects. (Luke Scholes, 2011)

Ronnie resides with his family at Kintore, an aboriginal community that was established in 1981. Originally Ronnie came in from the bush at Yuendumu and later joined relatives living in Papunya, where he worked as a labourer, helping with the fencing of the airfield. He started painting around 1971 at the time that the desert art movement began in Papunya and over several years he moved between Papunya, Yuendumu and Mt Doreen Station. Ronnie's work follows the Pintupi style of strong circles joined together by connecting lines relating to the people, country and the Dreamtime. The primary images in Ronnie's work are based on the Tingari Cycle which is a secret song cycle sacred to initiated men.

The Tingari are Dreamtime Beings who travelled across the landscape performing ceremonies to create and shape the country associated with Dreaming sites. The Tingari ancestors gathered at these sites for Maliera (initiation) ceremonies. The sites take the form of, and are located at, significant rockholes, sand hills, sacred mountains and water soakages in the western desert. Tingari may be poetically interpreted as song-line paintings relating to the songs (of the people) and creation stories (of places) in Pintupi mythology.

Ronnie can be considered amongst the first wave of artists effectively linking such ancient stories with modern mediums. During his time at Papunya Ronnie talked of returning to his traditional country.

This became possible when Kintore was established in 1981 and Ronnie moved there with his family shortly afterwards. He has been a committed artist since his earliest involvement with the central desert art movement and has since emerged as one of the region's major painters.

Today, Ronnie remains an important influence on a new generation of painters. Ronnie's works first appeared in Papunya Tula exhibitions during the 1970s, then in commercial art galleries in Sydney and Melbourne throughout the 1980s, including successive exhibitions at Gallery Gabrielle Pizzi from 1987 to 1990.

In 1988, he won the Alice Springs Art Prize and he had his first solo exhibition in Melbourne in 1989.

Ronnie Tjampitjinpa was selected for inclusion in major representative Aboriginal survey shows including: Flash Pictures at the Australian National Gallery; Lowe Art Museum, University of Miami; and other noteworthy exhibitions in Paris, Moscow, St Petersburg, Düsseldorf and Munich. His work is held in many public galleries and private collections, including the National Gallery of Australia and all the state galleries. (Source: Internet and Aboriginal Artists of the Western Desert: a biographical dictionary by Vivien Johnson 1994)

Literature Source & FURTHER REFERENCES

Australian Aboriginal Artist dictionary of biographies Kreczmanski, Janusz B and Birnberg, Margo (eds.): Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert and Kimberley Region JB Publishing Australia, Marleston, 2004.

Aboriginal Artists of the Western Desert - A Biographical Dictionary by Vivien Johnson, published by Craftsman House 1994

The Oxford Companion to Aboriginal Art and Culture edited by Sylvia Kleinert and Margo Neale published by OUP 2000

Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert & Kimberley Region JB Publishing Australia, Marleston, 2004

Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer Project, 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody

A. 1990 Utopia, a picture Story, 88 Silk Batiks from the Robert Homes a Court Gallery and gallery Collection, Heytesbury Holdings LTD Perth NATSIVAD database, Latz, P. 1995, Bushfires & Bushtucker, IAD Press, Alice Springs

Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer Project 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody

Amadio, N. und Kimber, R., Wildbird Dreaming. Aboriginal Art from the Central Deserts of Australia, Greenhouse Publ., Melbourne 1988; Auckland City Art Gallery, Auckland 1990, Ausst. Kat.; Australian Aboriginal Art from the Collection of Donald Kahn. Lowe Art Museum, University of Miami (Hrsg.), 1991, Ausst. Kat.; Droombeelden - Tjukurrpa. Groninger Museum (Hrsg.), Groningen 1995, Ausst. Kat.; Isaacs, J., Australia´s Living Heritage. Arts of the Dreaming, Lansdowne Press, Sydney 1984; Isaacs, J., Australian Aboriginal Paintings. Lansdowne, Sydney 1989, ISBN 186302011X; Johnson, V., Aboriginal Artists of the Western Desert. A Biographical Dictionary, Craftsman House, East Roseville 1994, ISBN 9768097817; Modern Art - Ancient Icon. The Aboriginal Gallery of Dreamings (Hrsg.), o.O. 1992, ISBN 0646080520; Nangara. The Australian Aboriginal Art Exhibition from the Ebes Collection. The Aboriginal Gallery of Dreamings (Hrsg.), Melbourne 1996, Ausst. Kat.; Stourton, P. Corbally, Songlines and Dreamings. Lund Humphries Publ., London 1996, ISBN 0853316910; The Painted Dream. Contemporary Aboriginal Paintings. Johnson, V. (Hrsg.), Auckland City Art Gallery, Auckland 1991, Ausst. Kat.; Tjinytjilpa. The Dotted Design. Aboriginal Art Galleries of Australia (Hrsg.), Melbourne 1998, Ausst. Kat.; Traumzeit - Tjukurrpa. Kunst der Aborigines der Western Desert. Die Donald Kahn-Sammlung, Danzker, J.B. (Hrsg.), Prestel, München und New York 1994, Ausst. Kat.; Voices of the Earth. Paintings, Photography and Sculpture from Aboriginal Australia. Gabrielle Pizzi (Hrsg.), Gallery Gabrielle Pizzi, Melbourne 1996, Ausst. Kat., ISBN 0646288954.

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