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Ronnie Tjampitjinpa B.1943
Ancient culture of 60 thousand
years gave the World its most exciting Contemporary Art
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Ancient culture of 60 thousand years gave the World its most exciting
Contemporary Art
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 Ronnie Tjampitjinpa is Australia’s
most important living Aboriginal artists amongst the first wave of artists effectively linking
ancient stories with modern mediums.
Ronnie Tjampitjinpa has been a committed artist since his
earliest involvement with the Central Desert art movement and has is as one of the major painters.
Ronnie Tjampitjinpa is
the
TOP 10 MOST COLLECTABLE AUSTRALIAN INDIGENOUS
ARTISTS.
Ronnie Tjampitjinpa
work
is sought-after by
worldwide
museums
collections
including
Australian National Gallery of Victoria,
National Gallery of Australia,
Musée
national des
Arts d'Afrique
et d'Océanie
Paris musée,
Art Gallery of NSW,
Art
Gallery of SA,
Art Gallery of Western Australia,
Museum Art Gallery of the Northern Territory,
Queensland Art Gallery,
National Museum of Australia,
Artbank,
Lowe Art Museum USA,
University
of
Miami,
Araluen Arts Centre |
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Ronnie Tjampitjinpa b. 1943
Tingari Cycle (2002)
masterwork
Synthetic
polymer paint on Belgian linen
Image Size:
115 cm x 72 cm
Framed
Size: 155 cm x 133 cm
Price: $25,000
subject to change without prior notice
Enquire
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Ronnie Tjampitjinpa
Biography:
Ronnie
Tjampitjinpa (Pintupi born c.1943)
Biography
Australian Aboriginal Artists dictionary of
biographies
p.
366.
Australian National Gallery of Victoria
Ronnie Tjampitjinpa-Artists-Tjukurrtjanu
Ronnie Tjampitjinpa is one of Australia’s
most important living Aboriginal artists amongst the first wave of artists effectively linking
ancient stories with modern mediums.
Ronnie Tjampitjinpa has been a committed artist since his
earliest involvement with the Central Desert art movement and has is as one of the major painters.
Ronnie
Tjampitjinpa
has been painting in Papunya Tula during the 1970s,
then in commercial art galleries in Sydney and Melbourne throughout the
1980s with many successful exhibitions at Gallery Gabrielle Pizzi from 1987 to 1990
and around the world.
Ronnie
Tjampitjinpa born (around 1943)
near the site of Muyinnga and was initiated at Yumari, near his
birthplace,
about 100 km west of the Kintore Ranges in Western Australia (and
approximately 500 km west of Alice Springs).
Ronnie Tjampitjinpa was initiated into
Aboriginal Law at Yumari, near his birthplace.
Ronnie Tjampitjinpa
family traveled
extensively across Pintupi territory, moving through this region and
also around Wilkinkarra (Lake Mackay) which straddles the Western
Australia - Northern Territory border.
%20and%20Ronnie%20Tjampitjinpa.jpg)
Ronnie and his younger brother Smithy Zimran came in from the bush at
Yuendumu and later joined their relatives in Papunya, where he worked
for a while as a labourer.
Ronnie Tjampitjinpa
was one of the Pintupi men who gathered on the verandah of Geoffrey
Bardon's flat before joining others in the Men's Painting Room and
producing works that sometimes disclose aspects of men's ritual.
Ronnie Tjampitjinpa
works follow the Pintupi style, which depicts dreamtime and the
landscape by joining together strong circles with connecting lines.
Ronnie has exhibited extensively throughout the world and is included in
all major Australian and international art collections.
Ronnie exhibited extensively throughout
the world and is included in all major Australian and international art
collection.
There is a mysterious,
entrancing nature to Ronnie Tjampitjinpa paintings, where time and place are
melded in the eternal stories of his Dreaming.
Ronnie
Tjampitjinpa
remains an important influence on a new generation of painters.
AWARDS
1988 -
Ronnie
Tjampitjinpa won the
Alice Springs Art Prize
and had his first solo
exhibition in Melbourne in 1989.
Ronnie Tjampitjinpa
work follow the Pintupi style, which
depicts dreamtime and the landscape by joining together strong circles with
connecting lines.
COLLECTIONS
Ronnie Tjampitjinpa's work is
held in many public collections including
Australian National Gallery of Victoria
National Gallery of Australia,
Canberra
Musée
national des
Arts d'Afrique
et d'Océanie
Paris musée
Art Gallery of New South Wales
Art
Gallery of South Australia
Art Gallery of Western Australia
Homes a Court collection
Museum and Art Gallery of the Northern Territory
Queensland Art Gallery
National Museum of Australia
Art Bank Sydney
National
Gallery of Victoria
Campbelltown
Arts Centre -
Campbelltown City Council
Donald Kahn Collection
Lowe Art Museum USA
University
of
Miami
Araluen Arts Centre
-
Northern Territory
The Supreme Court of the Northern
Territory
Michael
Hollow and countless
private and corporate collections around the world
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Ronnie Tjampitjinpa
(B.1943-)
Stories from the
Tingari Cycle, a
secret song cycle sacred to initiated men, are the subject of many of
Ronnie's paintings. The Tingari are a group of ancestral spirit or
Dreamtime beings who brought law and culture to the people of the
Western Desert, travelling over vast distances. In the course of their
many adventures and misadventures, they performed ceremonies to create
or even become the physical features of the sites they visited, such as
rocky outcrops, waterholes, trees, salt lakes, and ochre deposits.
Ronnie Tjampitjinpa's work is highly characteristic of Pintupi art,
using simple, bold, geometric designs, often made up of maze-like
circles or a central bull's-eye connected by strong lines. There is a
mysterious, entrancing nature to these paintings, where time and place
are melded in the eternal stories of Ronnie's Dreaming. Their complexity
may not always be clear to the outsider, but they reward further study.
Ronnie is considered one of the first major artists to have linked
the painting of these 'song-lines' or 'travelling Dreamings' with
the use of modern materials.
Ronnie's work has been shown in international exhibitions many times and
he is represented in major private collections such as the Donald Khan
Collection and the Kelton Foundation in the United States of America.
Ronnie Tjampitjinpa
prospered as an artist during the late 1980’s winning the Alice Springs
Art Prize in 1988. The following year
Ronnie Tjampitjinpa
travelled to Melbourne for his first one-man show at the Gallery
Gabrielle Pizzi. Subsequently he was included in ‘Australian Perspecta
1993’ at the Art Gallery of NSW. From 1993 Ronnie was Chairman of the
Kintore Outstation Council, residing at his outstation at Redbank (Ininti).
His work was displayed prominently in Sydney at the Jinta Gallery in
1998 in their ‘Pintupi Men’ exhibition.
These successes have established him as one of the masters of desert
art.
Ronnie Tjampitjinpa
was
there at the beginning and will continue to work strongly into the next
century.
Ronnie Tjampitjinpa is the personification of a linkage to the
traditional ways and beliefs that certainly will be modified by the
current generation of painters. Whilst his works may be regarded as
‘contemporary art’ in the great galleries of the world we should
remember that his beliefs and background exemplify the ancient nature of
his people. His is one of the last of the genuine desert nomads.
Consequently his art takes on a meaning and importance well beyond the
expectations aroused when we are confronted with visual art of our own
Euro-centric culture. |
It was
March 1972
that Bardon became aware of Ronnie's presence amongst the artists who were
working in the Great Painting room. Under the tutelage of Uta Uta, his father's
younger brother, Ronnie tentatively began experimenting with a raft of new
materials. Driven by a desire to express his knowledge and experience of ritual
amongst his cultural peers, Ronnie's first paintings are replete with overt
depictions of finely decorated ceremonial objects. (Luke Scholes, 2011)
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Ronnie Tjampitjinpa
has exhibited extensively throughout the world and is included n
all major aboriginal art collections.
Ronnie Tjampitjinpa
work is represented by
major collections throughout the world, his paintings are in very
high demand sought after by Australian and international art collectors
as well as Auction Houses.
In 1983, following the establishment of Walungurru in 1981,
Ronnie returned to his ancestral lands. Over the next decade
he emerged as one of Papunya Tula's major artists,
pioneering the scaled-up, bold linear style characteristic
of Pintupi work of the 1990s. In 1988 he won the Alice Prize
and the following year his first solo exhibition was held at
Gallery Gabrielle Pizzi, Melbourne. In 1993 the artist made
a significant contribution to Perspecta at the Art Gallery
of New South Wales.
Ronnie resides with his family at
Kintore, an aboriginal community that was established in 1981.
Originally Ronnie came in from
the bush at Yuendumu and later joined relatives living in Papunya, where
he worked as a labourer, helping with the fencing of the airfield. He
started painting around 1971 at the time that the desert art movement
began in Papunya and over several years he moved between Papunya,
Yuendumu and Mt Doreen Station. Ronnie's work follows the Pintupi style
of strong circles joined together by connecting lines relating to the
people, country and the Dreamtime. The primary images in Ronnie's work
are based on the Tingari Cycle which is a secret song cycle sacred to
initiated men.
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The Tingari are Dreamtime
Beings who travelled across the landscape performing ceremonies to
create and shape the country associated with Dreaming sites. The Tingari
ancestors gathered at these sites for Maliera (initiation) ceremonies.
The sites take the form of, and are located at, significant rockholes,
sand hills, sacred mountains and water soakages in the western desert.
Tingari may be poetically interpreted as song-line paintings relating to
the songs (of the people) and creation stories (of places) in Pintupi
mythology.
Ronnie can be considered amongst the first wave of artists
effectively linking such ancient stories with modern mediums. During his
time at Papunya Ronnie talked of returning to his traditional country.
This became possible when Kintore was established in 1981 and Ronnie
moved there with his family shortly afterwards. He has been a committed
artist since his earliest involvement with the central desert art
movement and has since emerged as one of the region's major painters.
Today, Ronnie remains an important influence on a new generation of
painters. Ronnie's works first appeared in Papunya Tula exhibitions
during the 1970s, then in commercial art galleries in Sydney and
Melbourne throughout the 1980s, including successive exhibitions at
Gallery Gabrielle Pizzi from 1987 to 1990.
In 1988, he won the Alice
Springs Art Prize and he had his first solo exhibition in Melbourne in
1989.
Ronnie Tjampitjinpa was selected for inclusion in major
representative Aboriginal survey shows including: Flash Pictures at the
Australian National Gallery; Lowe Art Museum, University of Miami; and
other noteworthy exhibitions in Paris, Moscow, St Petersburg, Düsseldorf
and Munich. His work is held in many public galleries and private
collections, including the National Gallery of Australia and all the
state galleries. (Source: Internet and Aboriginal Artists of the
Western Desert: a biographical dictionary by Vivien Johnson 1994). |
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Auctions
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Details |
Price excl. GST |
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Wilkinkarra
Lake Mackay1993,
Synthetic polymer paint on linen, bears inscription verso: artist's
name, size and Papunya Tula Artists cat. RT930734, 182 x 153 cm, Est:
$40,000-60,000, Deutscher and Hackett, Important Australian &
International Fine Art; Important Indigenous Art, Melbourne, 29/11/2017,
Lot No. 46 |
$151,280 |
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Two Boys at Wilkinkarra
(Lake Mackay) 1992,
Synthetic polymer paint on linen, bears artist's name and Papunya Tula
artists catalogue number RT920828 on the reverse, 152 x 122 cm, Est:
$30,000-50,000, Sotheby's, Important Aboriginal Art, Melbourne,
24/06/2002, Lot No. 40 |
$79,812 |
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Kumpuralgna, 1996 Synthetic polymer paint on linen, inscribed verso: 'Kumpuralagna'/
Ronnies Fathers Place [sic]/ 'Kakada' East Of Kintore/ Wirly Wirly Place
Body Design/ For One Old Man He's [Sic]/ Gone To Western Australia, 187
x 360 cm, Est: $50,000-70,000, Menzies, Important Australian and
International Fine Art and Sculpture, Sydney, 10/12/2015, Lot No. 53
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$79,773 |
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Kumpuralgna 1996 Synthetic polymer paint on linen, inscribed verso, 'Kumpuralagna'/
Ronnies Fathers Place/ 'Kakada' East Of Kintore/ Wirly Wirly Place Body
Design/ For One Old Man He's/ Gone To Western Australia, 187 x 360 cm,
Est: $55,000-65,000, Menzies, Australian & International Fine Art,
Sydney, 25/03/2010, Lot No. 72 |
$66,000 |
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Wilkinkarra (Lake Mackay) 1993 Synthetic polymer paint on linen, bears signed artist's name and
Papunya Tula catalogue number RT 930734 on the reverse, 183 x 153 cm,
Est: $25,000-35,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000,
Lot No. 119 |
$63,000 |
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Tingari Cycle, 1997 Synthetic polymer paint on canvas, dated and inscribed verso: FW6038/
KA707/97, 212 x 374 cm, Est: $50,000-70,000, Menzies, Important
Australian and International Fine Art and Sculpture, Sydney, 10/12/2015,
Lot No. 52 |
$61,364 |
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Kumpuralgna 1996 Synthetic polymer paint on linen, inscribed verso: 'Kumpuralagna'/
Ronnies Fathers Place/ 'Kakada' East Of Kintore/ Wirly Wirly Place Body
Design/ For One Old Man He's/ Gone To Western Australia, 187 x 360 cm,
Est: $50,000-70,000, Lawson~Menzies (now trading as Menzies), Modern,
Contemporary Australian and Important Abor, Sydney, 19/03/2008, Lot No.
222 |
$60,000 |
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Kumpuralgna, 1996 Synthetic polymer paint on linen, 364 x 186 cm, Est: $50,000-70,000,
Lawson~Menzies (now trading as Menzies), Aboriginal Art, Sydney,
22/11/2006, Lot No. 109 |
$54,000 |
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Tingari at Watanuma, 2006 Synthetic polymer paint on linen, bears inscription verso: artist’s
name, size and Papunya Tula Artists cat. RT0612147, 242.5 x 181 cm, Est:
$50,000-70,000, Deutscher and Hackett, Aboriginal Art from the Luczo
Family Collection, USA, Melbourne, 19/10/2016, Lot No. 32 |
$51,240 |
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Tingari Cycle, 1997 Synthetic polymer paint on canvas, inscribed verso: FW6038/ KA707/97,
212 x 374 cm, Est: $40,000-50,000, Menzies, Important Australian and
International Fine Paintings and Sculpture, Melbourne, 20/06/2012, Lot
No. 95 |
$49,090 |
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Wild Potato Dreaming at Muyinga, West of
Kintore Synthetic polymer paint on linen, bears
artist's name, size and Papunya Tula Artists catalogue number RT900938
on the reverse, 151.5 x 182 cm, Est: $40,000-60,000, Sotheby's,
Aboriginal Art, Melbourne, 26/07/2010, Lot No. 52 |
$48,000 |
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Tingari Cycle 1997 Synthetic polymer paint on canvas, inscribed verso: FW6038/ KA707/97,
212 x 374 cm, Est: $50,000-60,000, Lawson~Menzies (now trading as
Menzies), Contemporary, Modern Australian and Important Abor, Sydney,
19/06/2008, Lot No. 221 |
$48,000 |
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Untitled 1998 Synthetic polymer paint on linen, bears artists name size and Papunya
Tula catalogue number RT9805110 on the reverse, 183 x 153 cm, Est:
$40,000-60,000, Sotheby's, Aboriginal Art, Sydney, 29/07/2003, Lot No.
112 |
$47,500 |
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Two Boys at Wilkinkarra (Lake Mackay),
1992 Synthetic polymer paint on linen,
inscribed verso, artist’s name, size and Papunya Tula Artists cat.
RT920828, 152 x 121.5 cm, Est: $40,000-60,000, Deutscher and Hackett,
Important Aboriginal + Oceanic Art, Melbourne, 18/05/2011, Lot No. 18
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$43,200 |
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Kaakuratintja (Lake Macdonald) 1996 Synthetic polymer paint on linen, bears Papunya Tula artist's catalogue
number rt960429 on the reverse, 153 x 122 cm, Est: $30,000-40,000, Joel
Fine Art, Important Aboriginal Art, Melbourne, 05/06/2007, Lot No. 68
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$37,140 |
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Tingari Ceremonies at the Waterhole Site
of Pinari, 1997 Synthetic polymer paint on linen,
inscribed verso, artist's name, size and Papunya Tula Artists cat.
RT970178, 183 x 152 cm, Est: $20,000-25,000, Deutscher and Hackett,
Important Aboriginal and Oceanic Art, Melbourne, 24/03/2010, Lot No. 96
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$36,000 |
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Kwala at Tjiterlunga Synthetic polymer paint on linen, bears Papunya Tula Artists catalogue
number RT880448 on the reverse, 122 x 153 cm, Est: $30,000-50,000,
Sotheby's, Aboriginal Art, Melbourne, 26/07/2010, Lot No. 121
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$33,600 |
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Ceremonial Dreaming (1972) Natural earth pigments and bondcrete on composition board, 50.6 x 30.6
cm, Est: $30,000-40,000, Sotheby's, The Anthony & Beverly Knight
Collection of Early Papunya Art (Lots 1 – 46); Important Aboriginal &
Oceanic Art (Lots 47, Melbourne, 28/05/2013, Lot No. 14 |
$31,720 |
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The Kadaitcha Man (Law Enforcer) 1993
Synthetic polymer paint on linen, bears
Papunya Tula Artists catalogue number RT930437 on the reverse, 121 x 61
cm, Est: $20,000-30,000, Sotheby's, Aboriginal Art, Melbourne,
31/07/2006, Lot No. 104 |
$31,200 |
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Untitled
Synthetic polymer paint on linen canvas, bears artist's name,
dimensions and Papunya Tula Artists cat no RT9508111, 152 x 122 cm, Est:
$18,000-25,000, Sotheby's, The WMC Collection of Australian Contemporary
Art, Melbourne, 15/03/2004, Lot No. 23 |
$29,875 |
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Untitled Tingari Painting
Synthetic polymer paint on canvas, bears Papunya Tula catalogue number
RT891091 on reverse, 183 x 122 cm, Est: $25,000-35,000, Sotheby's,
Aboriginal Art, Melbourne, 09/07/2001, Lot No. 64 |
$28,800 |
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Water Story 1999
Synthetic polymer paint on linen, inscribed verso: KA 723/ 99, 175.5 x
342 cm, Est: $30,000-38,000, Lawson~Menzies (now trading as Menzies),
Colonial to Contemporary Including Aboriginal Art, Sydney, 25/03/2009,
Lot No. 123 |
$28,800 |
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Moon Dreaming at Maanytja 1989
Synthetic polymer paint on linen, bears signed artist's name Papunya
Tula Artists catalogue number RT890441 on the reverse, 152 x 122 cm, Est:
$25,000-35,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000, Lot
No. 74 |
$28,750 |
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Untitled 1972
Natural earth pigments and synthetic polymer powder paint on
composition board, bears signed Stuart Art Centre catalogue number 11013
on the reverse, 45.5 x 32 cm, Est: $30,000-50,000, Sotheby's, Aboriginal
Art, Melbourne, 26/06/2000, Lot No. 173 |
$27,600 |
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Full Moon 2006
Synthetic polymer paint on linen, 205 x 241 cm, Est: $30,000-40,000,
Lawson~Menzies (now trading as Menzies), Australian Aboriginal Art,
Sydney, 14/11/2007, Lot No. 47 |
$26,400 |
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Literature
Source
& FURTHER
REFERENCES
Australian Aboriginal Artist dictionary of biographies
Kreczmanski,
Janusz B and Birnberg, Margo (eds.): Aboriginal Artists: Dictionary of
Biographies: Central Desert, Western Desert and Kimberley Region JB
Publishing Australia, Marleston, 2004.
Aboriginal Artists of the Western Desert - A Biographical Dictionary by
Vivien Johnson, published by Craftsman House 1994
The Oxford Companion to Aboriginal Art and Culture edited by Sylvia
Kleinert and Margo Neale published by OUP 2000
Aboriginal
Artists: Dictionary of Biographies: Central Desert, Western Desert &
Kimberley Region JB Publishing Australia, Marleston, 2004
Brody, A.
1989 Utopia women’s Paintings: the First Works on Canvas, A summer
Project, 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody
A. 1990
Utopia, a picture Story, 88 Silk Batiks from the Robert Homes a Court
Gallery and gallery Collection, Heytesbury Holdings LTD Perth NATSIVAD
database, Latz, P. 1995, Bushfires & Bushtucker, IAD Press, Alice
Springs
Brody, A.
1989 Utopia women’s Paintings: the First Works on Canvas, A summer
Project 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody
Amadio, N. und
Kimber, R., Wildbird Dreaming. Aboriginal Art from the Central Deserts
of Australia, Greenhouse Publ., Melbourne 1988; Auckland City Art
Gallery, Auckland 1990, Ausst. Kat.; Australian Aboriginal Art from the
Collection of Donald Kahn. Lowe Art Museum, University of Miami (Hrsg.),
1991, Ausst. Kat.; Droombeelden - Tjukurrpa. Groninger Museum (Hrsg.),
Groningen 1995, Ausst. Kat.; Isaacs, J., Australia´s Living Heritage.
Arts of the Dreaming, Lansdowne Press, Sydney 1984; Isaacs, J.,
Australian Aboriginal Paintings. Lansdowne, Sydney 1989, ISBN
186302011X; Johnson, V., Aboriginal Artists of the Western Desert. A
Biographical Dictionary, Craftsman House, East Roseville 1994, ISBN
9768097817; Modern Art - Ancient Icon. The Aboriginal Gallery of
Dreamings (Hrsg.), o.O. 1992, ISBN 0646080520; Nangara. The Australian
Aboriginal Art Exhibition from the Ebes Collection. The Aboriginal
Gallery of Dreamings (Hrsg.), Melbourne 1996, Ausst. Kat.; Stourton, P.
Corbally, Songlines and Dreamings. Lund Humphries Publ., London 1996,
ISBN 0853316910; The Painted Dream. Contemporary Aboriginal Paintings.
Johnson, V. (Hrsg.), Auckland City Art Gallery, Auckland 1991, Ausst.
Kat.; Tjinytjilpa. The Dotted Design. Aboriginal Art Galleries of
Australia (Hrsg.), Melbourne 1998, Ausst. Kat.; Traumzeit - Tjukurrpa.
Kunst der Aborigines der Western Desert. Die Donald Kahn-Sammlung,
Danzker, J.B. (Hrsg.), Prestel, München und New York 1994, Ausst. Kat.;
Voices of the Earth. Paintings, Photography and Sculpture from
Aboriginal Australia. Gabrielle Pizzi (Hrsg.), Gallery Gabrielle Pizzi,
Melbourne 1996, Ausst. Kat., ISBN 0646288954. |
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