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Ronnie Tjampitjinpa (B.1943)

AUCTIONS    Biography    AWARDS    COLLECTIONS

Ronnie Tjampitjinpa is one of Australia’s most important living Aboriginal artists and he is in the TOP 10 MOST COLLECTABLE AUSTRALIAN INDIGENOUS ARTISTS! He is recognised as an innovative modern abstract artist. His masterworks are highly sought-after by museums and private collections worldwide such as Australian National Gallery of Victoria, National Gallery of Australia,  Musée national des Arts d'Afrique et d'Océanie Paris musée, Art Gallery of New South Wales, Art Gallery of South Australia, Art Gallery of Western Australia, Homes a Court collection, Museum and Art Gallery of the Northern Territory, Queensland Art Gallery, National Museum of Australia, Art Bank Sydney, National Gallery of Victoria, Campbelltown Arts Centre - Campbelltown City Council, Donald Kahn Collection, Lowe Art Museum USA, University of Miami, Araluen Arts Centre - Northern Territory, The Supreme Court of the Northern Territory. Wilkinkarra sold for $151, 280 and many galleries sales are in excess of $100,000.

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Ronnie Tjampitjinpa, Tingari Cycle, 2002, Synthetic polymer on Belgian linen, Image Size: 115 cm x 72 cm, Framed Size: 155 cm x 133 cm
Artist: Ronnie Tjampitjinpa b. 1943
Title: Tingari Cycle (2002)
masterwork  NOTES
Medium: Synthetic polymer paint on Belgian linen
Image Size: 115 cm x 72 cm
Framed
Size: 155 cm x 133 cm

Price: $22,000
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Ronnie Tjampitjinpa  Biography:

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Ronnie Tjampitjinpa (Pintupi born c.1943) Australian National Gallery of Victoria Ronnie Tjampitjinpa  - Artists - Tjukurrtjanu

Ronnie Tjampitjinpa is one of Australia’s most important living Aboriginal artists amongst the first wave of artists effectively linking ancient stories with modern mediums. Ronnie Tjampitjinpa has been a committed artist since his earliest involvement with the Central Desert art movement and has is as one of the major painters.

Photo: Ronnie Tjampitjinpa born circa 1943. Ronnie Tjampitjinpa is one of Australia’s most important living Aboriginal artists amongst the first wave of artists effectively linking ancient stories with modern mediums. Ronnie Tjampitjinpa's work is represented in many public galleries and private collections in Australia, including the Australian National Gallery of Victoria, National Gallery of Australia, all Australian State galleries and outside Australia in many private and public collections.Ronnie Tjampitjinpa has been painting in Papunya Tula during the 1970s, then in commercial art galleries in Sydney and Melbourne throughout the 1980s with many successful exhibitions at Gallery Gabrielle Pizzi from 1987 to 1990 and around the world.

In 1988, Ronnie Tjampitjinpa won the Alice Springs Art Prize and had his first solo exhibition in Melbourne in 1989.

Ronnie exhibited extensively throughout the world and is included in all major Australian and international art collection. Ronnie remains an important influence on a new generation of painters. Ronnie Tjampitjinpa's work is represented in many public collections including Australian National Gallery of Victoria, National Gallery of Australia,  Musée national des Arts d'Afrique et d'Océanie Paris musée, Art Gallery of New South Wales, Art Gallery of South Australia, Art Gallery of Western Australia, Homes a Court collection, Museum and Art Gallery of the Northern Territory, Queensland Art Gallery, National Museum of Australia, Art Bank Sydney, National Gallery of Victoria, Campbelltown Arts Centre - Campbelltown City Council, Donald Kahn Collection, Lowe Art Museum USA, University of Miami, Araluen Arts Centre - Northern Territory, The Supreme Court of the Northern Territory.

Ronnie Tjampitjinpa biography Australian Aboriginal Artists dictionary of biographies page 366.

 

AWARDS

1988 - Alice Springs Art Prize

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COLLECTIONS

National Gallery of Australia, Canberra

Musée national des Arts d'Afrique et d'Océanie Paris musée

Art Gallery of New South Wales

Art Gallery of South Australia

Art Gallery of Western Australia, Perth

Homes a Court collection

Museum and Art Gallery of the Northern Territory

Queensland Art Gallery

National Museum of Australia

Art Bank Sydney

National Gallery of Victoria, Melbourne

Campbelltown Arts Centre - Campbelltown City Council

Donald Kahn Collection

Lowe Art Museum USA

 University of Miami

Araluen Arts Centre - Northern Territory

The Supreme Court of the Northern Territory

Michael Hollow collection and countless private and corporate collections around the world

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Auctions

Details Price inc.BP exc.GST

Wilkinkarra Lake Mackay1993, Synthetic polymer paint on linen, bears inscription verso: artist's name, size and Papunya Tula Artists cat. RT930734, 182 x 153 cm, Est: $40,000-60,000, Deutscher and Hackett, Important Australian & International Fine Art; Important Indigenous Art, Melbourne, 29/11/2017, Lot No. 46

$151,280

Two Boys at Wilkinkarra (Lake Mackay) 1992, Synthetic polymer paint on linen, bears artist's name and Papunya Tula artists catalogue number RT920828 on the reverse, 152 x 122 cm, Est: $30,000-50,000, Sotheby's, Important Aboriginal Art, Melbourne, 24/06/2002, Lot No. 40

$79,812

Kumpuralgna, 1996 Synthetic polymer paint on linen, inscribed verso: 'Kumpuralagna'/ Ronnies Fathers Place [sic]/ 'Kakada' East Of Kintore/ Wirly Wirly Place Body Design/ For One Old Man He's [Sic]/ Gone To Western Australia, 187 x 360 cm, Est: $50,000-70,000, Menzies, Important Australian and International Fine Art and Sculpture, Sydney, 10/12/2015, Lot No. 53

$79,773

Kumpuralgna 1996 Synthetic polymer paint on linen, inscribed verso, 'Kumpuralagna'/ Ronnies Fathers Place/ 'Kakada' East Of Kintore/ Wirly Wirly Place Body Design/ For One Old Man He's/ Gone To Western Australia, 187 x 360 cm, Est: $55,000-65,000, Menzies, Australian & International Fine Art, Sydney, 25/03/2010, Lot No. 72

$66,000

Wilkinkarra (Lake Mackay) 1993 Synthetic polymer paint on linen, bears signed artist's name and Papunya Tula catalogue number RT 930734 on the reverse, 183 x 153 cm, Est: $25,000-35,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000, Lot No. 119

$63,000

Tingari Cycle, 1997 Synthetic polymer paint on canvas, dated and inscribed verso: FW6038/ KA707/97, 212 x 374 cm, Est: $50,000-70,000, Menzies, Important Australian and International Fine Art and Sculpture, Sydney, 10/12/2015, Lot No. 52

$61,364

Kumpuralgna 1996 Synthetic polymer paint on linen, inscribed verso: 'Kumpuralagna'/ Ronnies Fathers Place/ 'Kakada' East Of Kintore/ Wirly Wirly Place Body Design/ For One Old Man He's/ Gone To Western Australia, 187 x 360 cm, Est: $50,000-70,000, Lawson~Menzies (now trading as Menzies), Modern, Contemporary Australian and Important Abor, Sydney, 19/03/2008, Lot No. 222

$60,000

Kumpuralgna, 1996 Synthetic polymer paint on linen, 364 x 186 cm, Est: $50,000-70,000, Lawson~Menzies (now trading as Menzies), Aboriginal Art, Sydney, 22/11/2006, Lot No. 109

$54,000

Tingari at Watanuma, 2006 Synthetic polymer paint on linen, bears inscription verso: artist’s name, size and Papunya Tula Artists cat. RT0612147, 242.5 x 181 cm, Est: $50,000-70,000, Deutscher and Hackett, Aboriginal Art from the Luczo Family Collection, USA, Melbourne, 19/10/2016, Lot No. 32

$51,240

Tingari Cycle, 1997 Synthetic polymer paint on canvas, inscribed verso: FW6038/ KA707/97, 212 x 374 cm, Est: $40,000-50,000, Menzies, Important Australian and International Fine Paintings and Sculpture, Melbourne, 20/06/2012, Lot No. 95

$49,090

Wild Potato Dreaming at Muyinga, West of Kintore Synthetic polymer paint on linen, bears artist's name, size and Papunya Tula Artists catalogue number RT900938 on the reverse, 151.5 x 182 cm, Est: $40,000-60,000, Sotheby's, Aboriginal Art, Melbourne, 26/07/2010, Lot No. 52

$48,000

Tingari Cycle 1997 Synthetic polymer paint on canvas, inscribed verso: FW6038/ KA707/97, 212 x 374 cm, Est: $50,000-60,000, Lawson~Menzies (now trading as Menzies), Contemporary, Modern Australian and Important Abor, Sydney, 19/06/2008, Lot No. 221

$48,000

Untitled 1998 Synthetic polymer paint on linen, bears artists name size and Papunya Tula catalogue number RT9805110 on the reverse, 183 x 153 cm, Est: $40,000-60,000, Sotheby's, Aboriginal Art, Sydney, 29/07/2003, Lot No. 112

$47,500

Two Boys at Wilkinkarra (Lake Mackay), 1992 Synthetic polymer paint on linen, inscribed verso, artist’s name, size and Papunya Tula Artists cat. RT920828, 152 x 121.5 cm, Est: $40,000-60,000, Deutscher and Hackett, Important Aboriginal + Oceanic Art, Melbourne, 18/05/2011, Lot No. 18

$43,200

Kaakuratintja (Lake Macdonald) 1996 Synthetic polymer paint on linen, bears Papunya Tula artist's catalogue number rt960429 on the reverse, 153 x 122 cm, Est: $30,000-40,000, Joel Fine Art, Important Aboriginal Art, Melbourne, 05/06/2007, Lot No. 68

$37,140

Tingari Ceremonies at the Waterhole Site of Pinari, 1997 Synthetic polymer paint on linen, inscribed verso, artist's name, size and Papunya Tula Artists cat. RT970178, 183 x 152 cm, Est: $20,000-25,000, Deutscher and Hackett, Important Aboriginal and Oceanic Art, Melbourne, 24/03/2010, Lot No. 96

$36,000

Kwala at Tjiterlunga Synthetic polymer paint on linen, bears Papunya Tula Artists catalogue number RT880448 on the reverse, 122 x 153 cm, Est: $30,000-50,000, Sotheby's, Aboriginal Art, Melbourne, 26/07/2010, Lot No. 121

$33,600

Ceremonial Dreaming (1972) Natural earth pigments and bondcrete on composition board, 50.6 x 30.6 cm, Est: $30,000-40,000, Sotheby's, The Anthony & Beverly Knight Collection of Early Papunya Art (Lots 1 – 46); Important Aboriginal & Oceanic Art (Lots 47, Melbourne, 28/05/2013, Lot No. 14

$31,720

The Kadaitcha Man (Law Enforcer) 1993

Synthetic polymer paint on linen, bears Papunya Tula Artists catalogue number RT930437 on the reverse, 121 x 61 cm, Est: $20,000-30,000, Sotheby's, Aboriginal Art, Melbourne, 31/07/2006, Lot No. 104

$31,200

Untitled Synthetic polymer paint on linen canvas, bears artist's name, dimensions and Papunya Tula Artists cat no RT9508111, 152 x 122 cm, Est: $18,000-25,000, Sotheby's, The WMC Collection of Australian Contemporary Art, Melbourne, 15/03/2004, Lot No. 23

$29,875

Untitled Tingari Painting Synthetic polymer paint on canvas, bears Papunya Tula catalogue number RT891091 on reverse, 183 x 122 cm, Est: $25,000-35,000, Sotheby's, Aboriginal Art, Melbourne, 09/07/2001, Lot No. 64

$28,800

Water Story 1999 Synthetic polymer paint on linen, inscribed verso: KA 723/ 99, 175.5 x 342 cm, Est: $30,000-38,000, Lawson~Menzies (now trading as Menzies), Colonial to Contemporary Including Aboriginal Art, Sydney, 25/03/2009, Lot No. 123

$28,800

Moon Dreaming at Maanytja 1989 Synthetic polymer paint on linen, bears signed artist's name Papunya Tula Artists catalogue number RT890441 on the reverse, 152 x 122 cm, Est: $25,000-35,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000, Lot No. 74

$28,750

Untitled 1972 Natural earth pigments and synthetic polymer powder paint on composition board, bears signed Stuart Art Centre catalogue number 11013 on the reverse, 45.5 x 32 cm, Est: $30,000-50,000, Sotheby's, Aboriginal Art, Melbourne, 26/06/2000, Lot No. 173

$27,600

Full Moon 2006 Synthetic polymer paint on linen, 205 x 241 cm, Est: $30,000-40,000, Lawson~Menzies (now trading as Menzies), Australian Aboriginal Art, Sydney, 14/11/2007, Lot No. 47

$26,400

Porcupine Dreaming, 1988 Synthetic polymer paint on linen, 122 x 152 cm, Est: $30,000-40,000, Lawson~Menzies (now trading as Menzies), Aboriginal Fine Art, Sydney, 23/05/2007, Lot No. 185

$26,400

Untitled 1972 Synthetic polymer/powder paint on composition board, bears Stuart Art Centre catalogue number 11014 on the reverse, 64 x 18 cm, Est: $8,000-12,000, Sotheby's, Fine Aboriginl and Contemporary Art, Melbourne, 17/06/1996, Lot No. 199

$25,300

Untitled 1971-72 Synthetic polymer powder paint on composition board, bears Stuart Art Centre catalogue number 11013 on reverse, 45.5 x 32 cm, Est: $10,000-15,000, Sotheby's, Fine Aboriginl and Contemporary Art, Melbourne, 17/06/1996, Lot No. 63

$25,300

Fire and Water Dreaming, 2001 Synthetic polymer paint on linen, 350 x 180 cm, Est: $30,000-40,000, Lawson~Menzies (now trading as Menzies), Aboriginal Art Auction, Sydney, 23/11/2004, Lot No. 47

$24,480

Tingari Cycle, 1997 Synthetic polymer paint on canvas, bears inscription verso artist's name, size and Papunya Tula Artists cat. RT970567, 183 x 153 cm, Est: $20,000-30,000, Deutscher and Hackett, Important Aboriginal + Oceanic Art Auction, Melbourne, 25/05/2016, Lot No. 24

$24,400

Water Story 2000 Synthetic polymer paint on linen, inscribed verso: FW 8502, 181 x 412.5 cm, Est: $28,000-35,000, Lawson~Menzies (now trading as Menzies), Colonial to Contemporary, including Important Abor, Sydney, 24/06/2009, Lot No. 182

$24,000

Untitled – Tingari Acrylic on canvas, 120 x 180 cm, Est: Eu20,000-25,000, Gaia Auction, Aboriginal Art, Paris, 25/10/2009, Lot No. 56

€14,208 ($23,136)

The Kadaitcha Man, 1993 Synthetic polymer paint on linen, bears inscription verso: Papunya Tula Artists cat. RT930437, 121 x 61 cm, Est: $12,000-15,000, Deutscher and Hackett, Aboriginal Art from the Luczo Family Collection, USA, Melbourne, 19/10/2016, Lot No. 31

$21,960

Men's Ceremony 2001-02 Synthetic polymer paint on canvas, inscribed verso: #8467, 213 x 122 cm, Est: $20,000-25,000, Lawson~Menzies (now trading as Menzies), Modern, Contemporary Australian and Important Abor, Sydney, 25/09/2008, Lot No.

$21,600

Tingari - Fire Story, 2004 Synthetic polymer paint on linen, 183 x 122 cm, Est: $8,000-10,000, Lawson~Menzies (now trading as Menzies), Aboriginal Art, Sydney, 22/11/2006, Lot No. 176

$20,400

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NOTES About paintings  Ronnie Tjampitjinpa (B.1943-)

There is a mysterious, entrancing nature to Ronnie Tjampitjinpa paintings, where time and place are melded in the eternal stories of his Dreaming. Ronnie remains an important influence on a new generation of painters. Ronnie Tjampitjinpa exhibited extensively throughout the world and is included in all major Australian and international art collections

Stories from the Tingari Cycle, a secret song cycle sacred to initiated men, are the subject of many of Ronnie's paintings. The Tingari are a group of ancestral spirit or Dreamtime beings who brought law and culture to the people of the Western Desert, travelling over vast distances. In the course of their many adventures and misadventures, they performed ceremonies to create or even become the physical features of the sites they visited, such as rocky outcrops, waterholes, trees, salt lakes, and ochre deposits.

Ronnie Tjampitjinpa's work is highly characteristic of Pintupi art, using simple, bold, geometric designs, often made up of maze-like circles or a central bull's-eye connected by strong lines. There is a mysterious, entrancing nature to these paintings, where time and place are melded in the eternal stories of Ronnie's Dreaming. Their complexity may not always be clear to the outsider, but they reward further study. Ronnie can be considered one of the first major artists to have linked the painting of these 'song-lines' or 'travelling Dreamings' with the use of modern materials.

Ronnie's work has been shown in international exhibitions many times and he is represented in major private collections such as the Donald Khan Collection and the Kelton Foundation in the United States of America. He prospered as an artist during the late 1980’s winning the Alice Springs Art Prize in 1988. The following year he travelled to Melbourne for his first one-man show at the Gallery Gabrielle Pizzi. Subsequently he was included in ‘Australian Perspecta 1993’ at the Art Gallery of NSW. From 1993 Ronnie was Chairman of the Kintore Outstation Council, residing at his outstation at Redbank (Ininti). His work was displayed prominently in Sydney at the Jinta Gallery in 1998 in their ‘Pintupi Men’ exhibition.

These successes have established him as one of the masters of desert art. He was there at the beginning and will continue to work strongly into the next century. Ronnie Tjampitjinpa is the personification of a linkage to the traditional ways and beliefs that certainly will be modified by the current generation of painters. Whilst his works may be regarded as ‘contemporary art’ in the great galleries of the world we should remember that his beliefs and background exemplify the ancient nature of his people. His is one of the last of the genuine desert nomads. Consequently his art takes on a meaning and importance well beyond the expectations aroused when we are confronted with visual art of our own Euro-centric culture.

It was not until March 1972 that Bardon became aware of Ronnie's presence amongst the artists who were working in the Great Painting room. Under the tutelage of Uta Uta, his father's younger brother, Ronnie tentatively began experimenting with a raft of new materials. Driven by a desire to express his knowledge and experience of ritual amongst his cultural peers, Ronnie's first paintings are replete with overt depictions of finely decorated ceremonial objects. (Luke Scholes, 2011)

Ronnie Tjampitjinpa born (around 1943) near the site of Muyinnga and was initiated at Yumari, near his birthplace, about 100 km west of the Kintore Ranges in Western Australia (and approximately 500 km west of Alice Springs).

His family traveled extensively across Pintupi territory, moving through this region and also around Wilkinkarra (Lake Mackay) which straddles the Western Australia - Northern Territory border. Ronnie and his younger brother Smithy Zimran came in from the bush at Yuendumu and later joined their relatives in Papunya, where he worked for a while as a labourer. He was one of the Pintupi men who gathered on the verandah of Geoffrey Bardon's flat before joining others in the Men's Painting Room and producing works that sometimes disclose aspects of men's ritual.

Ronnie Tjampitjinpa was initiated into Aboriginal Law at Yumari, near his birthplace. Ronnie began painting at the beginning of the Papunya artistic movement around and in 1988 won the Alice Springs Art Prize.

His works follow the Pintupi style, which depicts dreamtime and the landscape by joining together strong circles with connecting lines. Ronnie has exhibited extensively throughout the world and is included in all major Australian and international art collections.

Ronnie won the Alice Springs Art Prize in 1988. Ronnie Tjampitjinpa work follow the Pintupi style, which depicts dreamtime and the landscape by joining together strong circles with connecting lines.

Ronnie Tjampitjinpa has exhibited extensively throughout the world and is included n all major aboriginal art collections. Ronnie Tjampitjinpa work is represented by major collections throughout the world, his paintings are  in very high demand sought after by Australian and international art collectors as well as Auction Houses.

In 1983, following the establishment of Walungurru in 1981, Ronnie returned to his ancestral lands. Over the next decade he emerged as one of Papunya Tula's major artists, pioneering the scaled-up, bold linear style characteristic of Pintupi work of the 1990s. In 1988 he won the Alice Prize and the following year his first solo exhibition was held at Gallery Gabrielle Pizzi, Melbourne. In 1993 the artist made a significant contribution to Perspecta at the Art Gallery of New South Wales.

Ronnie resides with his family at Kintore, an aboriginal community that was established in 1981. Originally Ronnie came in from the bush at Yuendumu and later joined relatives living in Papunya, where he worked as a labourer, helping with the fencing of the airfield. He started painting around 1971 at the time that the desert art movement began in Papunya and over several years he moved between Papunya, Yuendumu and Mt Doreen Station. Ronnie's work follows the Pintupi style of strong circles joined together by connecting lines relating to the people, country and the Dreamtime. The primary images in Ronnie's work are based on the Tingari Cycle which is a secret song cycle sacred to initiated men.

The Tingari are Dreamtime Beings who travelled across the landscape performing ceremonies to create and shape the country associated with Dreaming sites. The Tingari ancestors gathered at these sites for Maliera (initiation) ceremonies. The sites take the form of, and are located at, significant rockholes, sand hills, sacred mountains and water soakages in the western desert.  Tingari may be poetically interpreted as song-line paintings relating to the songs (of the people) and creation stories (of places) in Pintupi mythology.

Ronnie can be considered amongst the first wave of artists effectively linking such ancient stories with modern mediums. During his time at Papunya Ronnie talked of returning to his traditional country. This became possible when Kintore was established in 1981 and Ronnie moved there with his family shortly afterwards. He has been a committed artist since his earliest involvement with the central desert art movement and has since emerged as one of the region's major painters. Today, Ronnie remains an important influence on a new generation of painters. Ronnie's works first appeared in Papunya Tula exhibitions during the 1970s, then in commercial art galleries in Sydney and Melbourne throughout the 1980s, including successive exhibitions at Gallery Gabrielle Pizzi from 1987 to 1990. In 1988, he won the Alice Springs Art Prize and he had his first solo exhibition in Melbourne in 1989. The artist was later selected for inclusion in major representative Aboriginal survey shows including: Flash Pictures at the Australian National Gallery; Lowe Art Museum, University of Miami; and other noteworthy exhibitions in Paris, Moscow, St Petersburg, Düsseldorf and Munich. His work is held in many public galleries and private collections, including the National Gallery of Australia and all the state galleries. (Source: Internet and Aboriginal Artists of the Western Desert: a biographical dictionary by Vivien Johnson 1994).

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SOURCE:

Bardon, Geoffrey & Bardon, James: Papunya: A Place Made After The Story (Miegunyah Press, 2004); Graham Lloyd D: The Nature and Origins of the Tingari Cycle, (AusAnthrop 2002); Johnson, Vivien: Aboriginal Artists of the Western Desert: A Biographical Dictionary (Crafstman House, 1994); Kleinert, Sylvia & Neale, Margo (eds.): The Oxford Companion to Aboriginal Art and Culture (Oxford University Press, 2000) ; Kreczmanski, Janusz B & Birnberg, Margo (eds.): Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert & Kimberley Region (JB Publishing Australia, Marleston, 2004)

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