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Peggy White Nakamarra B.1949


If you LOVE Art of impeccable provenance, the art you want is at Galeria Aniela
 

Born circa 1949, Peggy Nakamarra White has been painting since the 80's, working for Warumpi Community Arts Centre. Peggy Nakamarra comes from a long line of artists, an ancient culture that gave the World its most exciting Contemporary Art.

Peggy Nakamarra depicts the Ancestral Rainbow Snake travel from Winbarrku to Lilliba. Peggy depicts the Aboriginal ancestral Dreaming of The Rainbow Serpent with great attention to details.

Peggy White Nakamarra work is represented in Central Australian Aboriginal Media Association Collection in Alice Springs in the Northern Territory and Art Gallery of NSW.

Biography

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Rainbow  Snake

Peggy White Nakamarra

Rainbow Snake (2002)

Synthetic polymer paint on Belgian linen

Image size: 123 cm x 80 cm

Framed size: 162 cm x 120 cm

Price: Enquire 

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PROVENANCE:
Warumpi Arts Centre

Warumpi Arts centre upheld a gallery in Alice Springs until September 2004, and was the main centre for paintings by Papunya artists.


Early in 1994 the Papunya Community Council established its own art centre to give the Aboriginal people of Papunya an increased involvement in the commercial aspects of Aboriginal art, this centre was called Warumpi Arts.

Warumpi Arts centre upheld a gallery in Alice Springs until September 2004 and was the main centre for paintings by Papunya artists.

The Papunya Community Council then decided to close the gallery with the aim of later opening an art centre in Papunya.

Warumpi Arts artists include Billy Stockman, Long Jack Phillipus, William Sandy

The Warumpi gallery operated in a way determined by the Community elders, who ensured that profits from the sale of paintings and crafts go to all the Aboriginal people of the community. The artists who painted for Warumpi Arts took considerable pride in their paintings as a reflection of their culture and beliefs.

Warumpi is an Aboriginal (Warlpiri) word meaning ‘honeyant’. Honey ants are one of the favourite bush foods of central Australia and their nests are found at the base of mulga trees. The ants produce a sweet “honey” which is stored in their bodies.

Honey Ant - The range of mountains behind Papunya has a distinctive rounded shape, like the shape of a honey ant in profile, and it is this shape which has given these ranges their name – and also the Warumpi Art centre.

 

 

Peggy Nakamarra White biography

Born circa 1949, Peggy Nakamarra White has been painting since the 80's, working for Warumpi Community Arts Centre.

Peggy Nakamarra White comes from a long line of artists, an ancient culture that gave the World its most exciting Contemporary Art. Peggy depicts the Aboriginal ancestral Dreaming of The Rainbow Serpent with attention to details she creates modern inspiring paintings.

Peggy Nakamarra depicts the Ancestral Rainbow Snake travel from Winbarrku to Lilliba. According to ancient Aboriginal believes Ancestral Snake stopped during his journey at six sites performing ceremonies. The sacred sites are symbolized as the concentric circles, they are Winbarrku, Yuendemu, Mission Creak West of Yuendemu, North of Mission Creak - Place of the Water Hole, Lama Valley and Lilliba.

The dashes in between the curvy lines symbolize the Ancestral Snake spears and the two small black circles are his homes.

The “U” shapes depict women digging for water. Women dig for water in the damp areas creating soakage.

The central design of Peggy White paintings represent the Sacred Site of North Mission Creek. The three central circles depict the water holes and the adjoining lines represent the river.

Ancestral Rainbow Snake

The Ancestral Rainbow Snake also known as the Rainbow Serpent, participates in the creation of the world and represents Wisdom and Fertility, signify the journey to acquire Wisdom and the Wealth, Abundance and joy of Fertility.

The Rainbow Serpent or Rainbow Snake is a common deity, often a God creator in the mythology and a common motif in the art of Aboriginal Australia. It is named for the obvious identification between the shape of a rainbow and the shape of a snake.

Some scholars have suggested that the link between snake and rainbow suggests the cycle of the seasons and the importance of water in human life. When the rainbow is seen in the sky, it is said to be the Rainbow Serpent moving from one waterhole to another, and the divine concept explained why some waterholes never dried up when drought struck.

There are innumerable names and stories associated with the serpent, all of which communicate the significance and power of this being within Aboriginal traditions. It is viewed as a giver of life, through its association with water, but can be a destructive force if angry.

The Rainbow Serpent is one of the oldest continuing religious beliefs in the world and continues to be a cultural influence today. (From Wikipedia, the free encyclopedia).

Rainbow Serpent Dreamtime Story

The Rainbow Serpent (Serpant) dreaming in Aboriginal society represents one of the great and powerful forces of nature and spirit. Connected to water, the Rainbow Serpent is the great life giver, and protector of water, which is his spiritual home.

Rainbow Serpent - Spirit of the Waterholes

For Aboriginal people of the desert, the Rainbow Serpent lives in the waterholes of their country, and travels between them, either under the ground or in the storm clouds when a rain storm is moving. His presence brings on the rains and if he is offended he can prevent the rains and cause drought or inundations that cause people to perish.

Rainbow Serpent Rituals

People pay great respect to the Rainbow Serpent, especially as they approach a waterhole. They will sing out the Spirit from distance away, telling that they are coming to the waterhole, telling what their intentions are. They want to re-assure the Rainbow Serpent that their purpose is a good one, that they recognize his power, and that they intend to bring no harm or ill doing. By singing out to him, the Rainbow Serpent can hear that they have knowledge of the place and the language of that place, so that the people are recognized as being from that place.

While talking to the Rainbow Serpent, the people will take a handful of earth and rub it onto their bodies, so that the he can smell them. Finally when they followed all the necessary rituals, they can approach the waterhole to drink.

 

Rainbow Serpent Powers

People believe that the power of the Rainbow Serpent is so great that he can instantly whip up a storm, high winds and driving rain, and that he quickly drown anyone who does not know how to approach him properly. As a protector of water, the Rainbow Serpent also controls water, so he has the power over life and death in the desert.

In Arnhem Land in the Northern Territory the Rainbow Serpent is associated with rituals of abundance and propagation in the natural world, and of fertility and well-being in human society. It has the power over life and death, bringing conception spirits to the water holes, but also punishing those who break traditional laws.

 

Water and Renewal

Known as Ngalyod in the Kuninjku language of Arnhem Land, the Rainbow Serpent is linked to water sources around creeks and rivers, and is responsible for the production of water plants - waterlilies, vines and palms, that grow near water. The Rainbow Snake is held in respect because of the ability to renew life by shedding the skin and emerging anew. Aboriginal myths about the rainbow serpent often describe a fearful creature that swallows humans only to regurgitate them, transformed by her blood.

 

White Ochre

White ochre is often used by artists to create the brilliant white paint for bark paintings, body decoration and rock art, that show the image of the Rainbow Serpent.

 

Rainbow Serpent Names and Totems

The Rainbow Serpent has many different names and totemic appearances across the many Aboriginal languages of Australia. In all those groups, the Rainbow Serpent is part of the Dreaming and Creation story, continuing to carry its power over people today. Aboriginal people today respect and take custodial care of sacred sites where the Rainbow Serpent is said to reside.

Often certain activities are forbidden at these places for fear that the wrath of the great snake will cause sickness, accidents and even tempests. This is not always the case however and there are many Rainbow Serpent sites today where people may enter to hunt, fish or swim.

 

Rainbow Serpent Traditions

By painting Rainbow Serpent figure today, Aboriginal people are carrying on the longest uninterrupted mythological tradition in the world, which has been the subject of art and ceremony for possibly thousands of years. It remains as one of the oldest and continuous religious beliefs for human kind, and its images continue to be painted by Aboriginal artists today.

The Rainbow Serpent participates in the creation of the world in so many of the Aboriginal Myths of Dreamtime (Rainbow Snake VIDEO YouTube )

 

COLLECTIONS

The Collection of Art Gallery of New South Wales

http://www.artgallery.nsw.gov.au/collection/artist/white-peggy-nakamara/

Art Bank Sydney

Art Gallery of NSW, Sydney

Homes a Court Collection, Perth

Museum and Art Gallery of the Northern Territory, Darwin

Central Australian Aboriginal Media Association collection, Alice Springs

private collectors and corporate Australia, America, Europe and England

 

Warumpi Arts

Early in 1994 the Papunya Community Council established its own art centre to give the Aboriginal people of Papunya an increased involvement in the commercial aspects of Aboriginal art. This centre, called Warumpi Arts, maintained a gallery in Alice Springs until September 2004 and was the main centre for paintings by Papunya artists.

The Papunya Community Council then decided to close the gallery with the aim of later opening an art centre in Papunya.

The Warumpi gallery operated in a way determined by the Community elders, who ensured that profits from the sale of paintings and crafts go to all the Aboriginal people of the community.

The artists who painted for Warumpi Arts took considerable pride in their paintings as a reflection of their culture and beliefs.

Warumpi is an Aboriginal (Warlpiri) word meaning ‘honeyant’. Honey ants are one of the favourite bush foods of central Australia and their nests are found at the base of mulga trees. Honey Ant are the ants produce a sweet “honey” which is stored in their bodies.

 

Literature SOURCE & FURTHER REFERENCES

 

Australian Aboriginal Artist dictionary of biographies Kreczmanski, Janusz B and Birnberg, Margo (eds.): Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert and Kimberley Region JB Publishing Australia, Marleston, 2004.

Aboriginal Artists of the Western Desert - A Biographical Dictionary by Vivien Johnson, published by Craftsman House 1994

The Oxford Companion to Aboriginal Art and Culture edited by Sylvia Kleinert and Margo Neale published by OUP 2000

Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert & Kimberley Region JB Publishing Australia, Marleston, 2004

Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer Project, 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody

A. 1990 Utopia, a picture Story, 88 Silk Batiks from the Robert Homes a Court Gallery and gallery Collection, Heytesbury Holdings LTD Perth NATSIVAD database, Latz, P. 1995, Bushfires & Bushtucker, IAD Press, Alice Springs

Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer Project 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody

Amadio, N. und Kimber, R., Wildbird Dreaming. Aboriginal Art from the Central Deserts of Australia, Greenhouse Publ., Melbourne 1988; Auckland City Art Gallery, Auckland 1990, Ausst. Kat.; Australian Aboriginal Art from the Collection of Donald Kahn. Lowe Art Museum, University of Miami (Hrsg.), 1991, Ausst. Kat.; Droombeelden - Tjukurrpa. Groninger Museum (Hrsg.), Groningen 1995, Ausst. Kat.; Isaacs, J., Australia´s Living Heritage. Arts of the Dreaming, Lansdowne Press, Sydney 1984; Isaacs, J., Australian Aboriginal Paintings. Lansdowne, Sydney 1989, ISBN 186302011X; Johnson, V., Aboriginal Artists of the Western Desert. A Biographical Dictionary, Craftsman House, East Roseville 1994, ISBN 9768097817; Modern Art - Ancient Icon. The Aboriginal Gallery of Dreamings (Hrsg.), o.O. 1992, ISBN 0646080520; Nangara. The Australian Aboriginal Art Exhibition from the Ebes Collection. The Aboriginal Gallery of Dreamings (Hrsg.), Melbourne 1996, Ausst. Kat.; Stourton, P. Corbally, Songlines and Dreamings. Lund Humphries Publ., London 1996, ISBN 0853316910; The Painted Dream. Contemporary Aboriginal Paintings. Johnson, V. (Hrsg.), Auckland City Art Gallery, Auckland 1991, Ausst. Kat.; Tjinytjilpa. The Dotted Design. Aboriginal Art Galleries of Australia (Hrsg.), Melbourne 1998, Ausst. Kat.; Traumzeit - Tjukurrpa. Kunst der Aborigines der Western Desert. Die Donald Kahn-Sammlung, Danzker, J.B. (Hrsg.), Prestel, München und New York 1994, Ausst. Kat.; Voices of the Earth. Paintings, Photography and Sculpture from Aboriginal Australia. Gabrielle Pizzi (Hrsg.), Gallery Gabrielle Pizzi, Melbourne 1996, Ausst. Kat., ISBN 0646288954.

 

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Founded in 1994, Galeria Aniela exhibited world-class artists and received celebrities including Sir David Attenborough, Cameron O’Reilly and Hon Bob Hawke, Australian Prime Minister. Galeria Aniela built a strong standing in Australia and internationally.

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