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Sabina Brown Nampitjinpa
B.1938
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Sabina
Brown Nampitjinpa
is
an established Australian Aboriginal artist,
she
has been painting
since the 70´s. Sabina
is a highly respected senior woman. Sabina assisted at the World Vision
projects. Ancient
Bush Onion Ceremony Dreaming is
the subject of many Sabina paintings.
Her Dreamings are teaching younger generation about the knowledge of the
ancient
country
flora and fauna.
Sabina
Brown Nampitjinpa work is held in public and private collections
including
Artbank,
Broken Hill Regional Gallery,
Kelton Foundation USA,
Hank Ebes collection,
Araluen Arts Centre,
Kerry Stokes,
Homes a
Court Collection.
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Sabina Brown Nampitjinpa
BUSH Onion
Ceremony
Synthetic polymer paint on Belgian linen
Signed on reverse
Image size: 122 x 92 cm
Framed size:
162 x 132 cm
Price: Enquire
Provenance:
Warumpi Arts
Warumpi Arts
was
the main centre for paintings
for
Papunya artists, and
maintained by
Papunya Tula
Artists
until September 2004.
It
was established
in 1994 by
Papunya Community Council it was
the first Aboriginal Community Art Gallery fully Owned, Directed and
Operated by Aboriginal artists in Alice Springs. |
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Sabina
Brown Nampitjinpa Biography
Sabina
Brown Nampitjinpa
is
an established Australian Aboriginal artist,
she
has been painting
since the 70´s. Sabina
is a highly respected senior woman. Sabina assisted at the World Vision
projects.
Ancient Bush Onion Ceremony Dreaming
is
the subject of many Sabina paintings.
Her Dreamings are teaching younger generation about the knowledge of the
ancient country
flora and fauna.
Sabina
Brown Nampitjinpa work is held in public and private
collections
including
Artbank,
Broken Hill Regional Gallery,
Kelton Foundation USA,
Hank Ebes collection,
Araluen Arts Centre,
Kerry Stokes
collection,
Homes a
Court Collection.
Sabina
Brown Nampitjinpa
is married to
Dick Brown Tjapaltjarri
a
recognized artist represented in
Aboriginal Art - Art Gallery of South Australia.
BUSH Onion Ceremony
This painting depicts women in their traditional role collecting Bush onion at
Karrinyarra at Mt Wedge 70 km from Papunya, Central desert region of Australia.
The “U” shapes represent women along with their digging sticks. The concentric
circles represent sacred sites.
The dotting represents body paint design the
women wear during the ceremonies.
Women hold ceremonies to honor the ancestral
beings for plentiful and abundance of food and decorate their bodies with body
paint and birds feathers.
COLLECTIONS
Art Bank Sydney
Kelton Foundation USA
Hank Ebes Collection
Araluen Arts Centre
NT
Broken Hill Regional Art Gallery
Kelton Foundation
California
Kerry Stokes Collection, Perth
Literature
Source
& FURTHER
REFERENCES
Australian Aboriginal Artist dictionary of biographies
Kreczmanski, Janusz B
and Birnberg, Margo (eds.): Aboriginal Artists: Dictionary of Biographies:
Central Desert, Western Desert and Kimberley Region JB Publishing Australia,
Marleston, 2004.
Aboriginal Artists of the Western Desert - A Biographical Dictionary by Vivien
Johnson, published by Craftsman House 1994
The
Oxford Companion to Aboriginal Art and Culture edited by Sylvia Kleinert and
Margo Neale published by OUP 2000
Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert &
Kimberley Region JB Publishing Australia, Marleston, 2004
Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer
Project, 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody
A.
1990 Utopia, a picture Story, 88 Silk Batiks from the Robert Homes a Court
Gallery and gallery Collection, Heytesbury Holdings LTD Perth NATSIVAD database,
Latz, P. 1995, Bushfires & Bushtucker, IAD Press, Alice Springs
Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer
Project 1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody
Amadio, N. und Kimber,
R., Wildbird Dreaming. Aboriginal Art from the Central Deserts of Australia,
Greenhouse Publ., Melbourne 1988; Auckland City Art Gallery, Auckland 1990,
Ausst. Kat.; Australian Aboriginal Art from the Collection of Donald Kahn. Lowe
Art Museum, University of Miami (Hrsg.), 1991, Ausst. Kat.; Droombeelden -
Tjukurrpa. Groninger Museum (Hrsg.), Groningen 1995, Ausst. Kat.; Isaacs, J.,
Australia´s Living Heritage. Arts of the Dreaming, Lansdowne Press, Sydney 1984;
Isaacs, J., Australian Aboriginal Paintings. Lansdowne, Sydney 1989, ISBN
186302011X; Johnson, V., Aboriginal Artists of the Western Desert. A
Biographical Dictionary, Craftsman House, East Roseville 1994, ISBN 9768097817;
Modern Art - Ancient Icon. The Aboriginal Gallery of Dreamings (Hrsg.), o.O.
1992, ISBN 0646080520; Nangara. The Australian Aboriginal Art Exhibition from
the Ebes Collection. The Aboriginal Gallery of Dreamings (Hrsg.), Melbourne
1996, Ausst. Kat.; Stourton, P. Corbally, Songlines and Dreamings. Lund
Humphries Publ., London 1996, ISBN 0853316910; The Painted Dream. Contemporary
Aboriginal Paintings. Johnson, V. (Hrsg.), Auckland City Art Gallery, Auckland
1991, Ausst. Kat.; Tjinytjilpa. The Dotted Design. Aboriginal Art Galleries of
Australia (Hrsg.), Melbourne 1998, Ausst. Kat.; Traumzeit - Tjukurrpa. Kunst der
Aborigines der Western Desert. Die Donald Kahn-Sammlung, Danzker, J.B. (Hrsg.),
Prestel, München und New York 1994, Ausst. Kat.; Voices of the Earth. Paintings,
Photography and Sculpture from Aboriginal Australia. Gabrielle Pizzi (Hrsg.),
Gallery Gabrielle Pizzi, Melbourne 1996, Ausst. Kat., ISBN 0646288954.
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