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Margaret Olley 1923-2011
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Margaret
Olley 1923-2011
Marigolds and Fruit
Edition of 80
Etching on 100% Cotton Rag
Image size 59 x 79cm
Paper size 79 x 108cm
Colours 6 Plates 4
Price:
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Margaret
Olley 1923-211
Basket Oranges,
Lemons, Jug
Edition of 250
Giclee Archival 100%
Cotton Rag
Image size 76 x 100 cm
Paper size 92 x 116 cm
Price:
SOLD |
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Margaret
Olley 1923-2011
Yellow Tablecloth Cornflowers
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Margaret
Olley 1923-2011
Boats
Price:
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Margaret
Olley 1923-2011
Poppies and Checked Cloth
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Margaret
Olley 1923-2011
Still Life and Flowers, Plums & Oranges
Price:
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Margaret
Olley biography
Margaret Hannah
Olley
AC
(24 June 1923 – 26
July 2011) is a
famous
Australian
painter. Margaret Olley participated in more than 90 major solo
exhibitions.
Margaret
was twice the
subject of an
Archibald Prize
by
William Dobell
in 1948
winning painting
and by
Ben Quilty
in 2011 and also was the
subject of numerous paintings
by many of her
artist friends,
including
Russell Drysdale.
On 10 June 1991 in
the
Queen's Birthday
Honours list,
Margaret Olley
was made a Member of
the
Order of Australia
'for service as an
artist and to the
promotion of art'.
On 12 June 2006,
Olley
was awarded
Australia's highest
civilian honour, the
Companion of the Order, 'for service as one of Australia's
most distinguished artists.
Margaret Olley was
born in
Lismore, New South
Wales.
She attended
Somerville House
in
Brisbane
during her high
school years. She
was so focused on
art that she dropped
one French class in
order to take
another art lesson.
Her work
concentrated on
still life.
In 1997 a major
retrospective of her
work was organised
by the
Art Gallery of New
South Wales.
She received the
inaugural
Mosman Art Prize
in 1947.
On 13 July 2006 she
donated more works
to the Art Gallery
of New South Wales;
her donations
included more than
130 works worth $7
million. Olley died
at her home in
Paddington
in July 2011, aged
88.
Margaret Olley
was twice the
subject of an
Archibald Prize
winning painting;
the first by
William Dobell
in 1948 and the
other by
Ben Quilty
in 2011.
She was also the
subject of paintings
by many of her
artist friends,
including
Russell Drysdale.
On 10 June 1991, in
the
Queen's Birthday
Honours list, Olley
was made a Member of
the
Order of Australia
'for service as an
artist and to the
promotion of art'.
COLLECTIONS
National Gallery of
Australia
Art Gallery of New
South Wales
National Gallery of
Victoria
Queensland Art
Gallery
Art Gallery of
Western Australia
Art Gallery of South
Australia
Tasmanian Museum and
Art Gallery
Artbank, Sydney
Australian National
University
University of New
South Wales
University of
Queensland
University of Sydney
Bendigo Art Gallery
Lismore Regional Art
Gallery
Newcastle Region Art
Gallery
Toowoomba Art
Gallery
Tweed River Art
Gallery
Wollongong City
Gallery
On 12 June 2006, she
was awarded
Australia's highest
civilian honour, the
Companion of the
Order, 'for service
as one of
Australia's most
distinguished
artists, for support
and philanthropy to
the visual and
performing arts, and
for encouragement of
young and emerging
artists'.
Born in Lismore in
1923, Margaret Olley
studied at the Brisbane
Central Technical College
then at East Sydney
Technical College graduating
in 1945 with first class
honours. She went on to
study and travel extensively
- to France, Italy, Spain,
Portugal, Papua New Guinea,
Malaysia, China, Russia and
Cambodia. During the 1940's
she became a prominent
figure in the Sydney art
scene and joined other
artists such as Donald
Friend at Hill End.
Olley held her first solo
exhibition in 1948 and has
held at least one exhibition
annually. She is known for
her colourful interiors and
still life paintings. She is
also widely known for being
the subject of the famous
William Dobell portrait
which won the Archibald
Prize in 1948.
Olley's close friend, the
Australian entertainer Barry
Humphries writes "A visit to
Margaret Olley is certainly
an unforgettable experience.
Her house is a series of
studios, filled burgeoning
with furniture, textiles and
objects that she
incorporates into her
ravishing nature mortes. In
each room, and in various
stages of completion, stands
a painting, propped
sometimes against a chair,
or flung with seeming
carelessness upon a sofa -
there is no sign of so
formal an accoutrement as an
easel.
A simple table, covered with
gourds and tangerines and
upon which might also rest a
Turkish pot, a jar of
flannel flowers or a dish of
desiccated raspberries,
stands against a black and
gilded Chinese screen. In
the foreground, Miss Olley's
painting of this subject is
casually appended. It is not
difficult to image that she
was once (in 1959) the
proprietrix of an antique
store." Margaret Olley is a
legend in the art world -
both as an artist and a
generous philanthropist. Her
paintings are highly sought
after by public and private
collectors both in Australia
and all around the world.
In 1991 Margaret Olley was
awarded the Australian
Office of the Order of
Australia (AO) and in 2006
she was awarded the
Companion of the Order of
Australia (AC) in the
Queen's Birthday Honors
List.
In 2007, Margaret Olley was
appointed a Fellow of the
National Art School. She is
only the third Fellow to be
appointed, joining Peter
Rushforth and John Coburn.
Margaret Olley sadly passed
away on 26th July 2011 in
her home in Paddington,
Sydney.
Reference: Margaret Olley, a
Biography Christine France
(1990); Margaret Olley Barry
Pearce (1996); Margaret
Olley Recent Paintings
(1997).'Far From A Still
Life' a biography by Meg
Stewart (2005).
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Giclée print on archival
100% rag paper
What is a Giclee
graphic
Print?
In giclee printing, no screen or other mechanical devices are used and therefore
there is no visible dot screen pattern. The image has all the tonalities and
hues of the original painting.
Giclee (pronounced Gee’clay) is a French term meaning to spray or squirt.
Each Giclee
Graphics
is numbered and sign by the artist.
In giclee printing, the artist produces a large-format scan of the original
artwork. Giclee prints retain the hues of the original painting, and the artist
check color proofs before a print run, which can be as many or as few prints as
the artist wishes. The inks used are light-fast and remain true for up to 25
years if they are kept out of the sun. Prints can be done on paper or canvas in
whatever size the artist desires. A benefit of canvas prints is that they won't
crease when rolled for mailing.
However, it is not the same as a standard desktop inkjet printer, and is much
larger. Giclee prints are a little over a metre wide and are often
affectionately referred to as a “knitting machine” as they look very similar.
Having prints available to buyers allows artists to reach a wider audience, at
lower price points. Like when writing a song, the artist sells a recording, not
the tune itself.
What is a limited edition graphic
print?
A Limited Edition
Print is a Graphic, derived from an image produced from a block, a plate, a
stone, on zinc, copper or some similar surface on which the artist has worked
closely with a print maker or master printer. Unlike paintings or drawings,
prints exist in multiples. The total number of impressions an artist decides to
make for any one image is called an edition.
Each impression in an
edition is numbered and personally signed by the artist.
An image may be based
on an original painting, 'after an oil', or the artist may paint "maquettes"
specifically for the printed graphics.
The artist may also
create an image directly onto the plates, depending upon the chosen medium. Each
of the various methods of printmaking yields a distinct appearance. Artists
choose a specific technique in order to achieve a desired result.
The choice made by
the artist to produce an image "in print" is the same as choosing to work in oil
or any other medium. The only difference in print lies in the possibility of
producing a number of near identical
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