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Patsy Long
Kemarre
Biography
Born around 1952,
Patsy Long Kemarre is an establish Australian artist, together
with her sisters, Nora Moore Kemarre and Kathleen Kemarre.
Patsy Long Kemarre is an important Australian artist, together
with her sisters, Nora Moore Kemarre and Kathleen Kemarre are
established artists from the Utopia region.
There
are many sacred Dreamtime stories that belong to Pasty’s country,
Antarrengeny of which play a significant part in her ceremonies and
culture. One of these Dreamings is of the Wild Passionfruit of the
Capparis spinosa var. nummularia shrub. In Pasty’s language it is called
Arrwerneng. The plant produces white, delicate flowers that only last
for a day or two, and the wild passionfruit that ripen in the summer and
last until the winter frosts. When the green fruit ripen, it splits open
revealing bright yellow pulp and black seeds. Ants and bird are
attracted to this fruit when it is ripe which is why it is commonly
picked green by the aboriginal people and allowed to ripen off the
plant.
Patsy's depiction of Australian landscape and the bush medicine plant is
brought to life by star like motifs throughout her paintings.
Patsy
Long beautiful paintings
have
the
sheer
physical presence of much contemporary work of art.
Patsy Long pays particular attention to details with fascinating
accuracy of intricate details,
subtle shades of colour that moves with the viewer’s eyes.
Artist Patsy Long Kemarre together with her sisters, Nora Moore Kemarre
and Kathleen Kemarre are all established artists from the Utopia region.
Patsy has been painting for Mbantua for a number of years and continues
to provide high quality detailed paintings.
-
Language
Alyawarr, Country Antarrengeny
-
Medium
Batik – silk/cotton
-
Paintings
- acrylic on canvas/linen
-
Subject(s)
Spinifex Burning, Bush Orange, Bush Medicine Plant, Awelye (women’s
ceremony and body paint designs)
Collections
Homes a Court Collection, Perth
Mbantua Museum Gallery Permanent
Collection, Alice Springs, NT
Art Bank, Sydney
University of Queensland,
Anthropology Museum, St Lucia
Richard Kelton
Foundation, Santa Monica, USA
Donald Kahn Collection USA
OHSU Heart Research
Centre, USA
Australian
Aboriginal Media Association collection, Alice Sprigs, NT
Art and Soul Gallery, Nashville,
Tennessee, USA
Art Gallery Kunsthuys, Wijk bij
Duurstede, The Netherlands
Vlaams-Europeesch Conferentiecentrum,
Brussels, Belgium
Australian
Aboriginal Media Association collection
Art and Soul Gallery, Nashville,
Tennessee USA
Art Gallery Kunsthuys, Wijk bij
Duurstede The Netherlands,
EXHIBITIONS
-
1990
Utopia- Picture Story, an Exhibition of 88 works on Silk from the
Holmes a Court Collection by Utopian artists which toured Eire and
Scotland
-
1993
Central Australian Aboriginal Art and Craft Exhibition, Araluen
Centre, Alice Springs
-
1998 May-
August, Art Gallery Kunsthuys, Wijk bij Duurstede, The Netherlands
-
1998
April-June, Dreamings, Vlaams-Europeesch Conferentiecentrum,
Brussels, Belgium
-
1998
Permanent Exhibition in Art Gallery ‘Culture Store’, Rotterdam, The
Netherlands
-
2001
February, ‘Bloom’ an exhibition of Bush Medicine Dreamings from
Utopia, Walkabout Indigenous Art Gallery, Leichhardt, NSW
-
2002
Mbantua Gallery - Art and Soul Gallery, Nashville, Tennessee, U.S.A
-
2002
Mbantua Gallery - 'The Cove Gallery' Portland, Oregon USA (Benefit -
OHSU Heart Research Centre)
-
2002
Mbantua Gallery - Urban Wine Works, Portland, Oregon USA (Benefit –
OHSU Heart Research Centre)
-
2002
Mbantua Gallery - Mary's Woods, Portland, Oregon USA (Benefit – OHSU
Heart Research Centre)
-
2002
Mbantua Gallery - New City Merchants, Knoxville, Tennessee USA
-
2003
Mbantua Gallery - Art and Soul Gallery, Nashville, Tennessee USA
-
2003
Mbantua Gallery - 'The Cove Gallery' Portland, Oregon USA (Benefit -
OHSU Heart Research Centre)
-
2003
Mbantua Gallery - Contemporary Aboriginal Art Event, Umpqua Bank,
Portland, Oregon USA (Benefit - OHSU Heart Research Centre)
-
2003
Mbantua Gallery - Mary's Woods, Portland, Oregon USA (Benefit - OHSU
Heart Research Centre)
-
2003
Mbantua Gallery - Art From The Dreamtime, Portland Art Museum,
Portland, Oregon USA (Benefit - OHSU Heart Research Centre)
-
2004
Aug-Sep Mbantua Gallery USA exhibition; Portland, Nashville,
Knoxville, Hartford and Greenwich.
-
Wild Passion fruit
flower Dreaming
Patsy's depiction of the bush medicine plant is
brought to life by star like motifs throughout her paintings.
There are many sacred Dreamtime stories that
belong to Pasty’s country, Antarrengeny of which play a significant part
in her ceremonies and culture. One of these Dreamings is of the Wild
Passionfruit of the Capparis spinosa var nummularia shrub in Pasty’s
language it is called Arrwerneng. The plant produces white, delicate
flowers that only last for a day or two, and the wild Passionfruit that
ripen in the summer and last until the winter frosts. When the green
fruit ripen, it splits open revealing bright yellow pulp and black
seeds. Ants and bird are attracted to this fruit when it is ripe which
is why it is commonly picked green by the aboriginal people and allowed
to ripen off the plant. Dot work in this painting represents the seeds
of the wild Passionfruit, yellow and orange designs represent the fruit,
green designs represent its leaf and white designs represent its
beautiful flowers.
Dot work in Patsy
painting represents the seeds of the wild passionfruit, yellow and
orange designs represent the fruit, green designs represent its leaf and
white designs represent its beautiful flowers. The sacred Dreamtime
stories that belong to Pasty’s country, Antarrengeny of which play a
significant part in her ceremonies and culture. One of these Dreamings
is of the Wild Passionfruit of the Capparis spinosa var. nummularia
shrub. In Pasty’s language it is called Arrwerneng. The plant produces
white, delicate flowers that only last for a day or two, and the wild
passionfruit that ripen in the summer and last until the winter frosts.
When the green fruit ripen, it splits open revealing bright yellow pulp
and black seeds. Ants and bird are attracted to this fruit when it is
ripe which is why it is commonly picked green by the aboriginal people
and allowed to ripen off the plant.
SOURCE
and
FURTHER REFERENCES
"Aboriginal Artists
of the Western Desert - A Biographical Dictionary" by Vivien Johnson,
published by Craftsman House 1994,
"The
Oxford Companion to Aboriginal Art and Culture" edited by
Sylvia Kleinert and Margo Neale published by OUP 2000,
Aboriginal Artists
dictionary of biographies”
Kreczmanski, Janusz
B & Birnberg, Margo (eds: Aboriginal Artists: Dictionary of Biographies:
Central Desert, Western Desert & Kimberley Region JB Publishing
Australia,
Marleston, 2004).
Brody, A. 1989
Utopia women’s Paintings: the First Works on Canvas, A summer Project,
1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody, A. 1990 Utopia, a
picture Story, 88 Silk Batiks from the Robert
Homes a
Court Gallery and gallery Collection,
Heytesbury Holdings LTD Perth NATSIVAD database; Latz, P. 1995,
Bushfires & Bushtucker, IAD Press, Alice Springs.
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